I came to this one pretty late, and everything has already been said...
I quite like Tony Northrup, but this really is one of his more misleading and less helpful videos. @stevebrot is probably right - Tony would likely avoid the subject or (hopefully) change his tune nowadays.
Full frame glass works just fine on any size sensor, whether it's (so called) full frame, APS-C, micro 4/3 or even smaller. A 24-70mm f/2.8 lens will let in the same amount of light and -
when shot at the same distance - will produce the same depth of field on
any sensor. The field of view will, of course, differ depending on the size of that sensor (if the sensor is cropped, the field of view will be cropped accordingly) and that will determine the appropriate use-cases for the lens and camera combination. Furthermore, the greater the pixel density of the sensor (a combination of sensor size and resolution), the more demanding it will be of a lens' resolving capabilities. Fit a poorly-performing lens to a high-res 24 megapickle APS-C camera, and you'll notice the deficiencies more than you would on a slightly-lower-resolution 16 megapickle APS-C camera. On a (by today's standards) relatively-low-res 12 megapickle full-frame camera, you'll notice those deficiencies less still. But, if you shoot full-frame and APS-C cameras
with same pixel density sensors side by side, with the same lens, you're going to get exactly the same performance from the lens.
The glass I have most fun with is old Soviet stuff intended for use on 35mm film cameras. Some of those lenses are sharp, some less so; some produce weird bokeh (occasionally nice, often distracting), others have contrast or flare issues. I use them on my Sony full-frame and Pentax / Samsung APS-C cameras with no obvious difference in results, save for the different field of view based on sensor size. My full-frame cameras use 24Mp sensors, and I have APS-C cameras with everything from 6 to 24Mp sensors.
One of my favourite - and most used - lens / camera combinations is the full-frame Tamron 28-75 f/2.8 on the 10Mp Samsung GX-10 (Pentax K10D). The focal length / field of view range on APS-C is perfect for much of what I do. I have the same lens in Sony A-mount for my full frame gear, and it gets used much less - purely because of the field of view.
Last edited by BigMackCam; 11-05-2017 at 01:47 PM.