What you can do with a subject is limited by the possibilities the equipment offers.
Attached a largely rescaled image from a new powerplant.
These kind of images are only possible with lenses that offer minimal distortion and high resolution.
With portraits high resolution and strong contrast is not wanted.
The use of lenses with these kind of properties will give you trouble with any female over the age of 12 like a good photographer friend used to say. Horses for courses.
Paul
---------- Post added 12-12-17 at 06:50 AM ----------
Originally posted by photoptimist
Unlike Carl Zeiss' engineers in the 1960s who were forced to compromise on either macro or infinity by the primitive tools of their time, today's lens designers have more freedom to make lenses that perform extremely well across the entire focus range.
Your lack of historical knowledge of lens design is an insult to highly regarded designers in the industry.
Ludwig Bertele designed the first Biogon lens in the thirties. With modest means like a slide rule he calculated this lens.
The design was never upgraded untill the properties of new optical glass made a recalculation necessary at the end of the nineties.
Due to environmental legislation optical glass no longer contained substances that were considered unwanted from an environmental point of view.
Carl Zeiss asked Victor Hasselblad to design a MF camera that made the use of the Biogon lens possible.
In 1954 Hasselblad introduced the first Supreme Wide Angle camera at the Photokina in Cologne.
That camera later became the well known SWC at the end of the fifties.
The Biogon lens was recalculated in 2000 with the use of highly sophisticated computer software.
The result closely aproached the original design made over sixty years earlier by Ludwig Bertele.
It did not improve the qualities of the original design, the new 905SWC closely approached the original Supreme Wide Angle camera.
The attached image was made with a 903SWC and Hasselblads 50 Mp digital back.
Paul