Originally posted by kiwi_jono
However sharpness is not everything. For example I have a FA28 f2.8 and compared to the K28 f3.5:
.....
Spot-on.
Sharpness isn't everything. And element number can't be compared between lenses using different technologies. The FA is just a 5/5, but one element is aspherical, IIRC.
Aspherical elements allow to correct aberrations using a simplified lens design, sparing optical glass and containing size.
It was extremely complicated, and expensive, using all-glass elements, but the introduction of aspheric elements partly made of molded plastic has been a game changer.
I have both the Asahi/Zeiss 2/28 and the K3.5/28 (just acquired, to be cleaned from fungus), plus the shift version. I'm fine with them now, but before I had in mind to buy the FA, which I'm sure is a great lens (and has electric contacts and AF).
I know that element counting is not meaningful in itself.
Probably I should have worded the title of the thread in a more precise way. Something like "Is it true that K lenses are better than their M counterparts, and often other later versions too?".
I don't know if such long title would be allowed, though
Originally posted by gofour3:
I would agree that the K series version is usually my favourite over the M or A series equivalent.
I find the K series are usually equal or slightly better optically and the handling is always better that the "M" & "A" equivalent. The build is better than most "regular" A Series lenses as well.
The exception are the more elite A Series lenses like the A16/2.8 & A20/2.8 or any A* lens. I find these are the equal or better then the K Series equivalent
I don't have the fisheye, but I wholeheartedly agree with your point. The A series introduces a distinction in the family of Pentax optics. There are A and B members.
The process started with the Pentax-M* 4/300mm.
All the K lenses were built the same. Almost all the M were made the same (with simpler designs and reduced bulk/weight). A lenses fall in two different category.
Cheaper ones inherited M designs, and plastic parts were introduced.
More expensive ones still had a very good build quality, and introduced more ambitious, state-of-the-art optical designs, also using "special" optical glass.
I agree with you that these higher standards were not limited to the new A Star's.
I have a few A series lenses that are almost identical, or either sharper or faster than their older cousins.
The A 3.5/15mm, A 2.8/20mm, A 2/35mm, A* 1.4/85mm, A* 2.8/200mm and A* 2.8/300mm were among my favorite MF lenses.
Now the 2.8/14mm and 1.4/35mm by Samyang have supplanted two of them... but a lot of water has flown under the bridges in the meantime!
IMHO some K series lenses can proudly stand close to some of the great manual focus optics in Pentax K mount, and supplement (at a fraction of the cost) a line-up of high-quality, expensive lenses.
Compared to most second tier Pentax objectives, the K series provides more than average IQ and better build.
According to my taste, the best build is found in Super-Multi-Coated Takumar's, but I don't think it makes much sense to compare M42 with PK lenses.
I see screw-mount objectives as "project lenses", better used when there is plenty of time, and when i know I will use the same lens for the entire shooting session.
Going back and forth between M42 and PK is not so pleasant, and would eventually dirt the sensor.
The pleasure of using the best mechanic doesn't compensate for the hassle of mounting/removing the adapter every time. If a body is dedicated to M42, or a single objective is used for the entire time, I still enjoy M42 lenses. Not so much for a more conventional use.
All this to say that I'm not so old/stiff/embittered to think that back in the old golden times everything was better... I'm just trying to make sense of a simple observation:
from K series to M series there was a sudden, consistent reduction of lens elements, and the disappearance of most collated doublets from the design of many optics.
Personally I'm brought to believe that there was a reason (maybe two or three *), and that there were consequences (read: some of the new designs didn't perform as good as the old ones).
* the third possible reason could have been the programmed disappearance from the market of lead-based optical glass.
cheers
Paolo