Originally posted by UncleVanya Yup. I think there's some over thinking going on.
Me!? Over thinking?!? Never!
But in all seriousness I wondered if there was a general agreed FL that was deemed too wide to go for group portrait work. WA and UWA have their place in landscape work of course, and the distortion seems to ease off the less wide you go, so the thread was a serious question, at what FL point do people appear 'acceptably' distorted for a group shot.
We all know that 135/2, 85/1.4, 50/1.4's etc, they all make nice solo portrait work. If shooting 2-4 people you need to stop down etc, but then also further back. I see group portrait shots as actually
very difficult stuff, you don't want to see just a sea of heads varying in softness and sharpness, you want to accomplish something
decent and my head says there must be a combination of FL and gap at the edges which provides the best balance overall, sharp faces and bodies from edge to edge and maximum resolution etc. Believe me I have tried taking some group shots before and they're just the kinda stuff ready for the bin
Originally posted by angerdan I have a SMC Pentax-A 24/2.8, I'm going to try some experimentation with that lens to see at what point I am encountering distortion (if any). A large group of people I don't really have, but I can put my 3 family members in a single line, one middle, one on each edge, something to resemble a front row and see what the two on the edges look like at varying apertures. I'll aim to shoot them with a good persons width gap from the edge, I might post the results here.
The FA* 24 has grabbed my attention, I'd quite like to shoot my own A24/2.8 at 2.8 for portrait work but find it very difficult to nail focus shooting that wide. The idea of replacing the A24/2.8 with a 24/2 with AF is very attractive for other purposes than group portrait work.
Thanks!