Originally posted by JPT This is paraphrasing the author's conclusion.
- The DFA* is clearly superior to the older lenses in all aspects.
- However, the older lenses hold up suprisingly well.
- Although the DFA* outclasses the old lenses when viewed up close on screen, is it that important at normal viewing sizes?
- The advantage of older lenses is that their character changes through the aperture ranges, so you can enjoy different image descriptions in one lens.
- In particular the FA 50 is a current lens and offers very good cost performance at under 40,000 yen.
- Which image the viewer prefers is subjective, so there is an argument that the "poorer" lenses could be more highly valued by some people.
Funny I do not see this at all.
Like art it is subjective. I feel the Takumar's are clearly superior in all aspects. Better movement, better glass, more character of image, lower price.
If the older lenses have an advantage through aperture ranges in how much they can do more with one lens that the DFA can, how is the DFA then superior in all aspects?