Originally posted by marcusBMG
I would rate both the pentax 28mm f3.5's, and the kiron/vivitar 28mm f2's, as good 28's. In .
The pentaxes will be more consistent lenses, much sharper wide.
The "K" 28mm f3.5 is relatively overpriced, it has acquired a particular cachet and when it comes up for auction it regularly bids over £100 (here in UK). The "M" 28mm f3.5 is much better value (£30-50 typically) and really most of the time there is little difference in results.
The kiron can also be found as a vivitar (28mm f2's with 22xxxx serials). BUT, whether vivitar or kiron watch out for ones with gummed up iris's - a common problem. There are also komine made vivitar 28mm f2's (28xxxx serials) these can be equally recommended actually, a vivitar 28mm f1.9 (tokina - 37xxx serials,
You summed up the situation very well..
I agree with pretty much everything.
I add just a few info.
The Vivitar 2/28mm is a good lens in both versions. Some say the Komine is better, some prefer the Kiron. Neither of them is cheap. It's a good thing you remembered the Petri 2/28 (also available as Cosina), cause it's easier to find at a decent price.
I add two optics to your list:
Soligor C/D P 2/28mm (Tokina, serial starting with 1)
Chinon Multi-Coated 2.8/28mm (Tomioka or Cosina, green lettering, elliptic reference mark)
The former was never made in PK mount, the only compatible option is the M42. It is fast, very well made, and has good IQ. Not cheap, though.
The latter is very cheap, relatively well made, and has good sharpness at landscape distances. Close up it gives swirly bokeh wide open, showing that it's not optimized for short conjugates.
The main difference between faster (f/2) and slower (f/3.5) lenses is mainly about ease of focusing in low light and close up background separation.
Sharpness is not related to the max aperture. The two SMC Pentax (f/2 and f/3.5) are quite similar stopped down, or used for landscape. I believe the very expensive f/2 has an edge at close distance, because of its design.
In the end the choice of the right objective depends on what kind of use is planned, and of course to personal taste. If bokeh is of no concern and low light photography is not your thing, a relatively cheap lens won't show its low cost in the final image.
After experimenting with countless vintage lenses I realized that most lenses are quite good, and even the weaker ones can do well after some PP.