Originally posted by Fenwoodian OK, I can maybe understand putting a cheap lens on a $2000 camera if your mission is to try and find an old lens with characteristics that simply are not found in a newer lens (e.g. soap bubble bokeh, swirly bokeh, halos, etc.).
Right. But it doesn't have to be about those more extreme optical characteristics... the overall rendering of many older and now-inexpensive lenses can be extremely appealing, even if the general optical performance falls short of the newer premium lenses. The Zeintar-K2 2/50 I mentioned earlier is a perfect example. It exhibits none of the extreme optical effects you mention - soap bubble bokeh, swirly bokeh, halos, etc. It just renders in a very pleasing way. If you pixel peep images that were shot with it wide open, you'll find flaws that aren't there on the D*FA50... and it won't compete on edge-to-edge resolution at any aperture setting. But it'll produce great-looking photos, especially at typical reproduction sizes and viewing distances.
Originally posted by Fenwoodian However, for characteristics that most modern day photographers cherish (sharpness, AF speed, etc.) you're better off paying a little more and going with a newer lens.
Agreed. If your thing is the edge-to-edge sharp, highly-corrected, perfectly-smooth-out-of-focus-rendering, minimal distortion, minimal vignetting look - and that certainly seems to be popular with many folks - then modern, premium lenses are the way to go.
I think it's interesting that different folks like and seek such different things from their lenses. There's certainly room for all preferences, and if they result in great photos, it's all good
Last edited by BigMackCam; 02-28-2019 at 04:50 PM.