Originally posted by Sandy Hancock Feel free to talk me out of it. Or not
As you can see in my signature, my lineup is pretty nice, made of * and Limited lenses for a god part.
The 60-250, especially converted to full frame, is the one lens I wouldn't sell. People are criticizing its AF, and it's true that it's not as fast as the 70-200, but it's NOT horrible as some claim. Like anything else, you learn to work with your tools, that's all.
It's really a different beast than anything else on that range. Having tested/reviewed a few consumer zooms reaching up to 300mm made me realize, again, how good the 60-250 is.
So it has some focus breathing at short range. Bummer. That's exactly the range where taking one step back or up changes the FOV enough that it's not an issue. When I use it, I don't look at my FOV and say "if only it didn't have focus breathing!", I do like I do with every other lens, I look at my composition and framing.
So the lens extends when zooming out. Except if you're up against a window, it doesn't matter.
It's silent, WR, has a longer range than any comparable quality zoom (at both ends, especially 60mm which makes a world of difference), it's much lighter than the 70-200mm available, its tripod foot works very well, it's lighter than comparable alternatives. I loved it on APS-C but on full frame, it's a magical lens.
I don't understand why Pentax isn't releasing an officially FF version of this lens.