Originally posted by bdery The key seems to be to disable image stabilisation. It sounds plausible that the video guy didn't do that. In that case, his observations and yours align.
With that in mind, it doesn't seem reasonable to expect AF and image stabilisation to be mutually exclusive. With my cameras, I fully expect to have access to both at the same time, and to not have to bother turning SR off when tracking AF.
So there. I think that's the explanation. And to me it says the Fuji system is lacking.
I agree 100% here. Fuji's image stabilization in its lenses is extremely lacking when it comes to action. The SR inside a Pentax is
awesome! Sony's comes close and sometimes I wonder if there's some sort of tech licensing agreement between Ricoh and Sony. Sony accommodates for panning without any need to turn off image stabilization.
I don't know how well or not the in-body stabilization inside the X-H1 works. Living in Nevada and being surrounded by casinos, I wouldn't bet on the X-H1 coming close to what you find in the K-1. I've lost a few shots on the X-T3 because I forgot to turn off the OIS in the XF 100-400.
It feels like the lens element in the barrel oscillates left to right super fast and the resulting image is blurry/smeared horizontally. Kind of a weird effect. Once OIS is turned off the images are perfectly frozen when using high shutter speeds.
Originally posted by normhead I didn't ask for pictures. I would expect any camera to take pictures. My favourite action shot of myself was taken by a press reporter in 1966 with a view camera. I asked for side by side comparisons demonstrating the lack of utility of the K-1 or K-3, preferably a K-3.
Norm!
I haven't used my K-1 to take action shots of kids running since I got the Fuji X-T3 so I will need to dig through my archive. Unfortunately, I trashed almost all the duds from the K-1 so my chances of finding fuzzy photos is slim.
It's been even longer since I gave away my K-3 and those images could be just as hard to find. Let me see what I can dig up and show. Now, if you want to send me a K-3 via overnight mail for tomorrow's Walk-a-Thon then I'm all game for another side-by-side.
Originally posted by normhead It's your assertion that you can't do the same with preferably a K-3 that I question. Several points, the frame rate of the K-1 is too slow for action. The K-3 in AF-s at 8FPS is more than adequate. You aren't shooting side by side and comparing. The funny thing reading your stuff is with a K-1 and a K-3 I find the K-1 less satisfactory for sports or action. So even if you Fuji is better than a K-1 which I don't doubt for action, the K-1 is field camera, you're still not using the Pentax that would be best for that purpose.
Hmmm ... "assertion" may not be the right words. It's been my "experience" that a K-3 or a K-1 cannot do the same like a Fuji X-T3 or A7R III. Going further, I should preface this applies to my type of photography in my particular settings.
You mentioned the K-1 is a field camera. As field camera, I found the AF-S and initial AF-C focusing performance in the K-1 to be superior to that in the K-3. There was less hesitation to lock and confirm focus in the K-1. I still felt there was too much latency in lifting the mirror and cycling the shutter but that is probably just me being me and a DSLR being a DSLR.
Unfortunately, the latency and cycle time gave enough time for my subjects to move out of focus. I mean, you can't focus while the mirror is going up, right? It was enough time such that even if focus was locked on the face at 10 feet that the face proceeded to move out of focus to 8 feet and now the feet/knees are at 10 feet. So, I had quite a number of shots where the face is fuzzy and the knees and footwear are perfectly focused. Shots of people further way, like 20 - 30 feet turned out better because DoF is increased.
I would use the D-FA 24-70mm f/2.8 which didn't help. The DA 18-135mm focuses noticeably faster and I heard the PLM power 55-300mm zoom is even faster.
I also noticed that the AF-C algorithm in the Pentax bodies need a significant amount of "out of focus" detection before triggering a new focusing movement. I could work around this by goosing the AF button constantly and forcing a manual triggering of the focusing. That helped quite a bit.
The focal length would average between 40-50mm and I would typically shoot at f/5.6 or so.
That was not a front/back focus issue. Group shots of kids standing still together are perfect, perfect, perfect. A K-1 with the FA 43mm makes for magical shots that printed beautifully!
Originally posted by normhead This has been pointed out repeatedly, and you seem to have blind spot as far as that's concerned.
Nope, no blind spot here ... just a fuzzy images somewhere in my C1 archives.
Originally posted by normhead So my point is, you comments are relevant only to those shooting with a K-1 and a Fuji.
Perhaps ... and, to those who shoot fast moving, unpredictable action up close.
Originally posted by normhead So you've shown what you can do with your Fuji.
Actually, that's what the Fuji can do by itself. It's almost self-aware.
Originally posted by normhead But I shoot a K-3 and a K-1, and I don't see how your info is relevant to anyone but a person with the same hardware as yourself. And I would expect someone shooting a Canon or a Nikon to have a similar bias towards their equipment
You showed what the Fuji could do. You didn't show what the Pentax could do. But there's a whole thread on that.
The question is not can you take good images with a Fuji. The question for me is why couldn't you take them with your K-3. Lots of other people can.
Sports photography - single images - Page 35 - PentaxForums.com Lots of good pictures in there!
So, in that thread, post # 511, shows a football player in white reaching out to a player in blue. Looks like he grabbed the other player's helmet. I would consider that shot to be a technical failure where the AF goofed. Why are the bleacher in perfect focus? When performing a burst I would get a lot of images looking like that.
I could do a burst of 15 to 20 shots at close distance with the XF 16-55mm or farther distance with the XF 100-400mm and every single one of them are pin point sharp, like the samples I showed above. I don't have to worry about missing an awesome shot like the football player I mentioned above. Yes, that would be a missed shot in my book. The only thing I have to worry about is facial expressions and picking the perfect moment within the burst. In some ways, I wonder if the bursts of shots are now blurring the line between photography and "still videography". I can almost play those shots back and see a quasi-movie. It's actually kind of weird to see.
Originally posted by normhead I always scratch my head when people tell me they can't do what others seem to do every day.
I never said it was impossible. Your referenced thread proves it. I'm just saying it's harder to do with a Pentax than with a competitor's body.
And, I want to say here that I'm not trying to be argumentative for the sake of arguing. The older CCD sensors in the *ist bodies and the CMOS sensors in the K-30 are super special. I do regret letting go of my K-3 because it was a fun camera to photograph static subjects with. Honestly, I hope the upcoming APS flagship catches up to the modern day offerings from competitors when it comes to SD card write performance, bugger depth, shutter cycle times, AF-C tuning, etc. Pentax bodies are built like none other. They, along with cockroaches and Kodachrome film, will be all that survives a nuclear war. Fuji and Sony bodies are nowhere as tough and well built and they will be part of the ash the surviving members of the human race walk on.