Originally posted by clackers Their problems don't end there, LF … this obsession with trying to compete by rigging everything in algorithms rather than real optics leads to this …
X-Trans: The Promise and the Problem
The GFX series shows they know it doesn't work!
So we're shifting from lenses to sensors now, eh?
X-Trans certainly isn't perfect and there has been a hard X-Trans marketing push since its inception, but X-Trans is certainly no worse than Bayer. Some folks think it is because to them Bayer is the "default", but if a person had only used X-Trans sensor equipped cameras suddenly had to use a Bayer sensor camera that person would perhaps notice a new set of compromises. Note that many of the issues with X-Trans have been linked specifically to Adobe products, while folks using Capture One and Iridient as their RAW developers seem to be mostly happy.
As to why Fuji didn't use X-Trans in the GFX series - when the GFX 50S was released, X-Trans sensors were not capable of supporting the video capability Fuji desired. Also, the X-Trans filter + necessary computational hardware would have increased the cost of the camera significantly. A medium format street-shooting camera with decent video is a unique enough product that Fuji didn't need to attempt to shoehorn a pricey sensor into the body.
Anyway, aren't we supposed to be discussing the lovely DA Limiteds? Here's most of my collection, astride the bazooka-esque Pentax K 135-600...