Originally posted by georgweb ...Kelly,
I did not find the Porst' lens scheme either, but sure it is a 6-in-6 design. I
removed the aperture lever from mine- aperture was slow anyway and the lever incl. its ring can be just taken out and put back again, no harm - and now have a manual 'AV-mode' lens.
Guilty of having too many toys :-)
Georg (the other)
I wasn't sure until I received my copy what you meant about the aperture lever - I did the same as you - thanks for sharing the info. In fact, due in part to the fact that the lens copy I received was not the one pictured in the foto-hobby auction (the one I got was quite well used with dust inside) I did my first complete dismantle of a lens.
It was a seat of my pants operation that took fully 7 hours to complete, but I successfully cleaned the lens inside and out. In fact, I learned a lot of things, I'll comment further below.
Originally posted by Miserere All the Tomioka M42 55mm f/1.2s had the "extra"
1.2 in red. I guess it was a way of saying "here it is!"...
..Oh, and having been following a few of these Tomioka lenses on eBay I've noticed that the M42 versions sell for significantly more than the K mount (newer) versions. Looks like shooters from other brands are interested in f/1.2 also, and it might be the only time when buying K mount is cheaper than M42!
I thought that too, hehe. Like an amp that has volume 11 setting, lol. I opted on the Yashinon for two reasons, 1) I think its one of the better looking lenses out there 2) All metal. The rubber/leatherette rings all suffer an ugly death eventually. I got a bit lucky not to pay more than the rest of the bunch sell for lately - 315 and its in sweet condition.
Originally posted by troyz The Porst I've received is also a focus past-er. I did make a discovery I am quite proud of though in dismantling the Porst - its about a 15 minute job to adjust infinity, and on the Porst at least, its completely arbitrary. Two grub screws lock in the apeture scale ring (between the aperture ring and the focus ring). It stops the focus ring and where you lock it down is up ot you. So if you want, you can tweak 'til its spot on. I don't know how similar other lenses are in design, but if they are close, adjusting infinity is a pretty basic task.
I've been eyeing the grub screw placements on other lenses to see where else I might strike my new found confidence. Next I think will be the Super-Tak 50/1.4 for a spot removal.
Speaking of the Porst - a few shots from day 1 and 2 (all at 1.2):
Walking home the first night, I spotted some flowers in the freezing rain, lit by a shop window.
The next morning, in the daylight. These roses are at their end.
One to note the sharpness. I shot this handheld 1/15 at ISO200. Very respectable low light capabilties as many have noted with their 1.2s.
My first thoughts - the bokeh is everything I hoped it would be, and its a good thing because its just average without this super-power. I mean to say - its not terribly soft as is its default perception, its simply not bad and like many other lenses, after 2.8 its fine.
It has a gentle glow the wider you get and a fading of contrast. Even on the school shot, you can feel a haze to it, even though its respectably sharp (thats 1.2 btw). Was it you Miserere who mentioned it would make for good portraits? You'de be right. At 1.2 its like a semi soft-focus lens. If you use it for that, expecting thats what you're using it for, its a pretty great lens, but it wouldn't be a good general fast 50 for the average user. Most 50's are sharper, then again most 50s aren't 1.2. For me, its unique bokeh makes it a keeper.
I look forward to stacking up the Yashinon and see how these differing designs pan out in use.
K.