Originally posted by noelpolar FWIW.... a Pentax friend has a Sigma 150-500 and we regulary go away together shooting.... and there is a real difference between that lens and the DFA. I couldn't be happy with it.... I'd rather take my 300 and 70-210 with me.... however when last up the Flinders I used it a bit and got some nice shots with it.... and could post one that I could easily say was a great shot from a great lens... but overall it was only ok in general use.... (a well lit close up of a lizard... both looked good..... fine detail in a 300-450mm landscape shot.... night and day... not web size images off course).
I will say.... to this day.... I love my F*300/4.5.... and... in $Aus.... the DFA is a $2,200 lens.... our dolar etc sucks.... I paid around $2,700 way back.... and I struggled with that big time... at the time.... but I'm mostly cheap... even if I have the money.... anyway... for something to do.....I'm going to see how I go getting a Robin shot today with the F*300 on the KP.... if I get one then one doesn't need a DFA.... QED.
I never sold my F* after getting the DFA.... form factor is so different.... I'd keep the PLM probally as well (general travel etc.... it's why we all have 5 different camera bags.....the DFA is my quiet time reclusive lens.... it's a zen lens).
Off interest... this is a 5mp crop of a F*300 K1 shot... hand held quick shot.... would a PLM do as well?... (I really don't know...not trying to be smart).
and this is a 4mp crop (2x2) at 450mm from DFA
All I know for sure is..... this forum is a habbit trigger for the Diderot Effect.... ahh... famous words.... Poverty has its freedoms; opulence has its obstacles.
Yeah, I'm enjoying this thread for various different reasons and contributions that I am finding helpful, so thank you for contributing.
Covid is really the reason I got the PLM, all my portrait events cancelled I started snapping 'other stuff'. I started off with a friends DA* 60-250, but tbh I wasn't blown away and am happy I returned it and spent half the amount of coin on the lighter and more compact PLM. Unfortunately money is a strong factor in my lens choices, I have to weigh up cost and IQ constantly. If I had the funds I would just own all the best stuff and never make a post here ever again ahaha
I never expect a cheaper lens to really outperform another more expensive lens, it's about cost vs IQ ratio, I do believe you can find that sweet spot whereby the additional cost is marginal and the cheaper option (although perhaps not the best IQ) is still definitely
best value.
If lens A = $3k and is 9/10, but lens B = $1k and is 8.5/10 then I would choose lens B based on my income/saving restraints.
There's a bit more to it than this. Other factors that contribute to the success of the final image being;
1) User (competency in that specific genre)
2) Luck (favourable lighting conditions at the time of shoot/shot taken)
3) Rendering skills, post processing competency to really amplify (tastefully)
I know we don't often talk about items 1-3 here often, just the lens in terms of performance but to me the other factors are important to the overall image. Akin to the idea that I'd rather give a crap camera to a skilled tog than really ace equipment in the hands of an amateur. Also I know I can fail lens tests easily. I've played that game, and I'm sure many would struggle to pass tests like DA 70 vs FA 77 bla bla.
So there we have it, curious because how I see things is there's a nice $500 lens (PLM) and the next is a behemoth 'take no prisoners' affair coming in at $3.5k.
What has been interesting in this 'Covid PLM' practice times is the 'zoom' aspect for me, because up until now most of my paid work is done with primes. Weddings and events, usually its the FA77, FA43 making up the majority with the odd wide angle shots such as DA 12-24 or HD DA 20-40 filling in the gaps (and often with those lenses it will be a fixed FL set that works ok with FF Mode on the K-1 and kept at that marker throughout the gig).
People are generally slow, and I can use my legs quickly to compose better, buffer constraints have often meant I need to dual wield these events so I have a couple of focal lengths to play with as well to help with that. Wildlife however... quite a different story. Practising shooting birds recently is telling me that the ability to change the focal length is quite important, these aren't humans you can instruct where to stand or how to be, they are a master to themselves and so I have to shoot quite differently to how I am used to. This issue has already made me think about the idea of swapping the PLM 55-300 over to a DA* 300 or (prime) something. I have no doubt the IQ could be better on a prime, and perhaps front and focus back issues are not such an issue (I think perhaps my 55-300 needs different FA values depending on what zoom amount I am using, though not tested quite enough yet to say that is the case for sure), but the idea of being stuck at a certain focal length for wildlife is a little scary.
Originally posted by clackers The big thing is that autofocus is rated only to f5.6. The lens makers understand this, and that's as slow as they usually let their designs go. It will be hit and miss beyond that.
That's why for wildlife photographers, the primes are f2.8 and f4, to add teleconverters afterwards and still stay within the ratings.
There are some Canons that attempt to do f8, but only for the centre focus point, forget all the others, and I have no way of telling how reliable it is anyway.
So this is the second time I have heard this, thanks for continuing to educate me. Can you expand on this at all? What does it really mean when we say 'autofocus is rated to f5.6'?
Here's my confusion, please help to clean up the mess in my mind;
1) Are we talking PDAF here or CDAF when it comes to this aperture AF limit?
2) I always understood in PDAF the centre spot and spot directly above and below were 'rated to f2.8', I just took this to meaning they are better more accurate AF points to use, and that to use Spot AF mode (not centre point SEL spot) would actually even increase AF accuracy a little more. I never really thought about the other AF points in terms of f number accuracy.
3) If 5.6 is the maximum aperture for autofocus, then what is Pentax doing with the PLM 55-300 which has f6.3 as its minimum on the long end? What does that mean? Do we take it that Pentax are not the same as the others and have AF points rated higher than 5.6?
4) What does this mean when we use say a FA77 at f8? It's less accurate than using f2.8? Are we getting that depth of field trade off where AF accuracy is less but because focus plane is deeper the AF inaccuracies are harder to detect?
It's been more of a gut feeling than anything else, but my experience with the PLM thus far feels like it is sharper at its wide open apertures, it feels like I get 'fuzzier' shots when stopping down (even when light is not a problem), which perplexes me a little and perhaps what's happening is that exact AF inaccuracy? Perhaps a good tactic is to find focus on the wildlife at wide open apertures first, then stop down and shoot vs finding focus at the stopped down aperture... But then again it might be that I am getting front back focus issues also.
Thanks again everyone!