Originally posted by lazarustx The 100mm is awesome and I don't expect I'd see much better lens, so I think the term that I should have said was 'different'.... I'm going to look around for a Pentax M 50 f4 Macro, its inexpensive and gives me a different perspective.
Also, You bring up an excellent point. I have my Sigma ring flash which I should take out and give it another try. I thought my last set of images looked a bit flat, maybe my shooting was off.
There's always the $600 IRIX 150mm that I've been eyeing, but like others have said, the 100mm is pretty amazing. Would the 150mm replace it or simply give me a different experience.
The ring flash will certainly make your images more flat as it will essentially fill and eliminate most shadows. So if when shooting macro you have nice ambient backlighting or spot lighting then really no need for that flash. But in situations like a dark forest or interiors where the light is forcing you to use a high ISO, the flash will give you a vivid and crisp image albeit with a compromise you mentioned.
In terms of a different macro lens relative to your WR DFA 100mm macro, this is the order of what you can most expect in differences:
a) Focal length. Generally the longer the focal length the better because it allows you to be further from the subject which is helpful for live critters and/or to not worry about casting your own shadow in the frame. The trade off is size. Thus with a 150mm you can crop less in editing for 'spiders and snakes' and shoot at a safer distance. Or it's not an issue with casting your own shadow, but creating a reflection of yourself or the lens/camera. Wearing a colorful jacket or shirt will also cast more of that color onto the subject when you're closer.
b) Speed. Manual focusing an f/4 will be harder than an f/2.8 that also has the option for AF.
c) WR. Light rain, tide pools, cave grotto, dusty day? Problematic without WR. Or simply going from an air conditioned car out into a hot humid day.
IF you don't already have a 50mm prime, then I can see the appeal of getting a 50mm macro for a FF sensor. For example, the DA 35mm Macro Limited is a sharp jewel for APS-C street shooters. My personal experience is that with less than 60mm on a FF film or sensor, my lens hood or front element is just too close for many macro subjects where I'm focused on coping with my proximity instead of the shot itself.