Originally posted by Spock I have a FA*28-70 F2.8 in near mint condition.
It's a great lens although I've always known it was a bit soft wide open - especially at 70mm.
Recently I was taking some indoor pics in low light using my K3, and at 1600 ISO the wide open shots were very disappointing - almost unusable.
Here are some test shot examples to illustrate the problem:
1/80 sec. f/2.8 @ 70mm 1600 ISO - note the softness and 'glow' in this image
1/25 sec. f/5.6 @ 70mm 1600 ISO - two stops smaller and a bit improvement in image quality.
But this got me asking what's the point of a fast lens if I have to use it stopped down? I started thinking about replacing my FA* with something newer.
Before making any rash decisions, I tried taking some test shots in bright daylight at 200 ISO and I'm pleased to say the difference between F2.8 and smaller apertures is much less in bright light with low ISO, so that the wide open shots are quite acceptable.
Now I'm confused. Why would this be the case?
I have experienced some similar though not exact situations. I think the answer in this case is probably a simple one, and not at all a lens defect. First of all, you are shooting with a first-class fast zoom lens, but any zoom lens and most fast prime lenses will not be near their best performance wide open- this is not a defect. Secondly, combine (important) that with the fact you are shooting with the K-3, a very fine DSLR but not the best out there for higher ISO and likely to lose edge sharpness and fine detail at higher ISO settings and perhaps contrast as well, compared to the best models in this regard. You have your own proof of how this is probably the cause here, in that your results wide open with the same lens and camera at ISO 200 provided far better results.
If you can access a KP, try the same shot at ISO 1600 with that camera and your FA* 28-70mm lens. I would bet you'd see a difference. You might well have that or a K-new in your future!
One experience I had was a bit different. Yet it did show how a combination of factors together ganged up for a noticeable degradation of quality. I shot a river scene at night and decided to give a try with my fast 24mm prime, the Sigma 24mmm f/1.8 EX DG on the KP at ISO 3200. The shot included a bridge with supporting structures. In the past, this FF lens on APS-C has supplied "fair" results wide open, since the outer edges of the glass are not in use, and quite decent just stopping down a little to f/2.2- but this was with lower ISO and with less-able cameras than the KP.
With the KP, noise was easily low enough, but so was sharpness! Especially in the detail of the solid supporting structures, which has some lighting on them. Good enough to be usable, but only for viewing on a smaller print or screen. I also had with me the DA 40mm Limited and tried both lenses at f/2.8- wide open for the LTD, which blew away the Sigma for sharpness, even though the Sigma was just slightly improved over the f/2.2 outcome. Not too surprising. But there was less difference between them upon lowering the ISO to 1600!! However, the LTD was still better at ISO 3200 than the Sigma at ISO 1600. The lesson was twofold- Even with the KP, which is great for higher ISO, there is still some degree of disadvantage going up in ISO beyond a certain point. There was far less difference between ISO 1600 and ISO 800. Yet, there was less difference between ISO 1600 and ISO 3200 when using this sharp LTD lens! One would think the sharper lens would reveal more of the negative effects of the higher ISO, but this was not the case. So it was the 2 factors working together- less capable lens + higher ISO disadvantage- even though slight, teaming up to make the difference greater than slight.