NOTES/COMMENTS
1. The DFA 150-450mm is comfortably the best but given it cost 10/20/50 times as much as any of the other lenses apart from the tamron 300mm f2.8 (4x).. well it does emphasise my point that it costs exponentially more for incremental improvement.
2. Given that many of the vintage lenses show a significant gain in iq stopping down, for me it is important to show that.
3. My example of the DAL 55-300mm is optically more representative than DUB's. A good lens (but mine has sticky focus so I never use it
).
4. The adaptall 23A 60-300mm is demonstrably slightly short of 300mm, which I already knew from previous test pics. I have several of these, they are consistently good.
5. Conversely the 300mm f5.6 54B was a bit disappointing. In the field, comparing general results, I regard this and the 23A as comparable usually.
6. The results for the Adaptall SP 300mm f2.8 60B were a bit below par for me in this flat cloudy light. For comparison, here are results from the previous evening when it was sunny.
At middling F the lens is competitive with the DFA for resolution. This also reflects that the light is a factor in what results you can get - certain lenses can show better or not so well. I would make this comment in respect of the FA 100-300mm as well actually, the results I got out in the field (see my posts in relevant threads) are suggestive of a better lens than indicated by the results above.
7. The pentacon 300mm f4. The first crop is sharpest focus. The second is minimum CA focus (the mid point where you can see the fringing change) - there is a slight difference in position. It is an interesting question as to whether this is something inherent to the design, or showed up by the high level of digital scrutiny, or perhaps due to use on digital rather than with film. Anyway I thought it was interesting.