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08-30-2021, 11:16 AM - 1 Like   #16
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That 16-20mm range is where the DA 16-45 is very good. When the original DA* 16-50 came out, tests at the time showed the 16-45 was better at 16mm. It holds up OK compared to the DA15 in some categories too. But it is also where the barrel is extended. I would buy one only if I could check out barrel wobble and return if needed.

It needs a lot of supporting lenses because the long end isn't as good and not very long. That's when the DA 16-85 is a better idea.

08-30-2021, 11:45 PM - 1 Like   #17
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The DA16-45, if in really good condition, is an excellent lens.
From the K5 onwards but particular with the K3 and then KP and K70 it could show its potential.

I know a very good photographer using as zooms mainly two on his K70: DA55-300PLM and DA16-45.

I myself have a good aligned sample and can highly recommend it.

Test charts don't interest me, nor that silly test on dpreview which is useless as useless can be!

I need to have a lens on my camera and walk around with it for a few days, then I know much more about it.
It is very true, a wobbly version can be terrible. But do to the way it is built it does have naturally some wobble.

It was one of the most special designed and calculated lenses for APS-C, the designer knew a lot about it.
I recall a conversation I had with one of the best Pentax lensspecialists and repairers in USA,
we had a conversation about the FA31ltd. and its design with floated elements.
He explained to me why the FA31ltd. is so difficult to adjust/align.
He told me then that the DA16-45 is of a similar design and if correct aligned, is one of the best zooms Pentax ever built.
That made me buy a few, I selected two of the best, the others I sold again.
If one ever would find one NOS (New Old Stock, sometimes they appear on ebay sold from Japan) then that might be the road to go.

Last edited by photogem; 08-31-2021 at 11:04 PM.
09-01-2021, 06:54 AM   #18
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QuoteOriginally posted by photogem Quote
That made me buy a few, I selected two of the best, the others I sold again.
Since you had a few, how much variation was there between them? A lot? A little?
09-01-2021, 08:21 AM   #19
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QuoteOriginally posted by Kozlok Quote
Since you had a few, how much variation was there between them? A lot? A little?
Little actually!

09-01-2021, 08:24 AM   #20
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QuoteOriginally posted by AfterPentax Mark II Quote
QuoteOriginally posted by Ronald Oakes Quote
For some reason it seems to me "LOTS" of images from the DA 16-45 online are speaking to me! Not so much with the 16-85..... I keep telling myself it's nothing more than "gear acquisition syndrome" but then I look at the pictures again and it sure seems the other way around LOL
You had it in the film days as well, but then you probably turned the negative over by accident .
The DA 16-45 is not from the film days!
09-01-2021, 12:12 PM   #21
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QuoteOriginally posted by photogem Quote
The DA 16-45 is not from the film days!
You're kidding!
09-01-2021, 12:31 PM   #22
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QuoteOriginally posted by AfterPentax Mark II Quote
You're kidding!
He's not.
No DA lenses were film lenses, that would be FA lenses.
SMC Pentax-DA 16-45mm F4 Reviews - DA Zoom Lenses - Pentax Lens Reviews & Lens Database

09-01-2021, 02:33 PM   #23
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QuoteOriginally posted by AfterPentax Mark II Quote
You're kidding!
Of course it's not a film era lens, since it's not even a full frame lens (but useable from about 21mm to 45mm on film).

Regarding the CA - yes it's there. It's there with my SMC DA*16-50mm f/2.8 as well. If anything, my 16-45 has a bit less. But it only showed up in what, about 1% of my shots. And when it does I corrected it and it wasn't a big deal.
09-01-2021, 02:44 PM   #24
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QuoteOriginally posted by ChristianRock Quote
Of course it's not a film era lens, since it's not even a full frame lens (but useable from about 21mm to 45mm on film).

Regarding the CA - yes it's there. It's there with my SMC DA*16-50mm f/2.8 as well. If anything, my 16-45 has a bit less. But it only showed up in what, about 1% of my shots. And when it does I corrected it and it wasn't a big deal.
Always new information to ponder.

Because I sort of panned it myself, I always noticed when it's been discussed, and after years of paying attention I'm almost certain I should have picked it up when I could have. Sometimes you look for bias confirmation, and it's just not there.
09-01-2021, 03:03 PM - 1 Like   #25
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QuoteOriginally posted by normhead Quote
Always new information to ponder.

Because I sort of panned it myself, I always noticed when it's been discussed, and after years of paying attention I'm almost certain I should have picked it up when I could have. Sometimes you look for bias confirmation, and it's just not there.
Well... I think a lens can be better than its weakest link - if we are talking chains, sure, the weakest link determines the strength of the whole chain, but this isn't the case here.

To give an example - I quite like my HD DA 18-50mm f/4-5-6 DC WR RE. It's almost CA free, though I have seen it at the extreme corners. It's quite well corrected in almost every way, and the images are sharp, contrasty and nicely saturated from wide open. But when I look at pictures taken with the DA 16-45, they just look a little bit better. I'll keep using the 18-50 for convenience (hardly much bigger than my DA 21 when retracted - and it's lighter, WR, and DC), and I won't get a new DA 16-45 now that this one's "decentered unless straightened" (barrel wobble is so bad I have to hold the barrel straight to get sharp pictures at 16mm). I also have a DA*16-50 since last year as my larger normal zoom - better than the 16-45 but not by that much, and the 16-45 probably has the edge on corner sharpness.

I guess what I'm trying to say is that the 18-50 should be a better lens according to testing data, as its weakest link is better. But in the sum of it all, the 16-45 I think is a bit better.

My son - DA 16-45


DA 16-45, also on our cruise a couple years ago.


HD DA 18-50... certainly good enough for snaps at the beach.




Obviously I don't have any HD DA 16-85mm pictures...
09-01-2021, 04:15 PM   #26
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I'm also a fan of the DA 18-50.....mine however is the SMC version , not the latest HD DA version.
09-03-2021, 04:11 AM   #27
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QuoteOriginally posted by Ronald Oakes Quote
I'm also a fan of the DA 18-50.....mine however is the SMC version , not the latest HD DA version.
Then you'll going to notice a huge step forward when using the DA16-45.
The SMC DA18-50 to me felt inferior to the DA18-55II or WR in its range. Just quiet DC Motor and pretty light.... but quite a diameter.
09-03-2021, 07:57 AM   #28
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I haven't used the 16-45 but have read very mixed reviews. The 16-85mm has become my landscape lens of choice, both at the wide and telephoto ends, due to it's superb sharpness, colours and contrast. I think that's saying a lot given that I really prefer primes to zooms most of the time.
09-03-2021, 08:11 AM   #29
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QuoteOriginally posted by Jonathan Mac Quote
I haven't used the 16-45 but have read very mixed reviews. The 16-85mm has become my landscape lens of choice, both at the wide and telephoto ends, due to it's superb sharpness, colours and contrast. I think that's saying a lot given that I really prefer primes to zooms most of the time.
And the reason I own't be asking my friend if she still wants to sell it. We bought the 16-85, we like it. We don't shoot ƒ4 for landscape where it is mostly used. And it slightly overlaps with the DA 55-300 PLM, reducing the need for lens changes. That in away makes the 16-45 a lens without a purpose, or a lens who's time has passed.
09-03-2021, 08:36 AM   #30
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QuoteOriginally posted by photogem Quote
Then you'll going to notice a huge step forward when using the DA16-45.
The SMC DA18-50 to me felt inferior to the DA18-55II or WR in its range. Just quiet DC Motor and pretty light.... but quite a diameter.
Not my experience. But I never had the 18-55 WR version.
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