Originally posted by hudsong I really want this lens, but at the same time I really don't..... what a conundrum!
I spent half the day comparing photos of mine with other lenses that I have.
I supsect mine isn't the best one ever made, but the results are interesting.
I compared the 15mm SMC-A manual focus, and and FA* 24 F/2 lenses
at 15mm and at 24mm.
Notably, my results were not very consistent particularly when I used a newspaper at 15mm. My eyesight isn't good enough to accuratly focus
the manual focus lens, and the auto focus wasn't much better photographing a newspaper from 3 feet or less away. I rarely got a photo where I could actually read the newspaper, but occasionally I did. What I did notice was that the 16*50 consistently what I think you folks call a chromic abberation.--any way, anywhere there was a sharp contrast between white and a dark line
a blue fuzzy line blurred the line.
the blue fuzz was quite characteristic of the *16-50---at close range and not at all visible with the SCM-A 15mm bubblenose.
Next however , I switched subjects and focused on a a hedge row with a white satellite dish embedded in it that was 50 feet away. Then at 15/16mm, it was the other way around. The bubble nose showed the blue fuzz on the sharp transistion from white to dark, but the DA* 16-50 didn't. I rated the overall sharpness as the same, but on balance gave it to the 16-50---set at 16mm (and with wide aperatures), becuase it didn't have the blue fuzz.
Next I switched dto 24mm and compared to the FA* 24 f/2
Once again at the hedge row.----the color chroma haze was quite obnoxious
at 24mm and blue on the DA*, and very minor but visible with the FA*24, but with it, the fuzz wasn't blue, it was red.
I had been using the 'auto exposure' throughout my sequences
I set an exposure compensation to increase the exposure with the DA*
and this did improve the results, but still not asa good asa th FA*24.
I"m sort of thinking that there is not a clear winner here--just some work better under some conditions than others, and the sort of consistent habit of the DA* 16-50 underexposing things doesn'thelp it do better.