Well, I like short teles a lot, the 85 is my favorite lens in 35mm, and the 50's the first I had to have for APS-c: these are far and away what I use most. I don't see it as 'zooming in,' really, so much as more cutting away the unnecessary.
On my Mamiya 645 I love my 110: the angle of view is more like in the neighborhood of 65 or 70 on 35mm, (I got this cause a 150 of the same speed would be big bucks, but fell in love) ..it gives some of the other qualities of an 85ish in terms of seeing/shooting experience but, I see it as letting the bigger film take in more.
You could look at it as though that, as most people would use a given lens, I like my composition a bit tighter.
I've used a 35-105 on my old Canons a lot, and I've noticed my habits of wanting to stay at or above around 40mm unless I'm wishing the lens went wider: I've got a 35 F2 that I tend to feel similarly about. For the K20, the second real lens I grabbed was a 28, cause it gives me somewhere around there. 50's on film, I'd usually be happier if those got to be tighter, (Can you say, (in a Jon Stewart imitation, ) 'Noktohnnnnn,'
)
I don't, however, really use actually long lenses or real wides except for the most part for really utilitarian needs or 'a bit of fun,'
..basically, if I had the FA Limiteds and either a 58 Nokton or maybe that new 55, I'd be a pretty happy camper, as my preferred angles-of-view go. Mostly, I like moderate primes, unless something outside there is really called for. (I used to enjoy doing sports, for instance, a skill I picked up in high school, which is funny as I'm not a sports fan, but that went by the wayside, eventually.)
It's kind of about *space,* rather than magnification, I guess you could say.