Originally posted by daacon Thanks for the suggestions and confirmation - I know it is a difficult situation with the solution running into $1k plus - even then. I cannot justify that kind of money quite yet for what I want to use it for (Son also play football but hopefully at least some of the games will be in the bright Sunlight!) .
So not to mince topics I realize the lower the f/stop are more expensive (not necessarily better per say - but more useful in allot of situations from my limited experience ).
Generally what would be your recommendations on the upper end of that spectrum for pictures lets say in general low ligh (dusk , dawn, indoors , etc ) t? f4 ?
First of all, the pro didn't show off his bad shots: what you saw were his best shots. You're going to have a lot of duds in this difficult situation. Examine your shots and try to discover what made the good ones goods, and the bad ones bad.
Second, if you want to do a lot of this sort of photography, you're going to need fast lenses. F2.8 is the slowest acceptable, and faster is better. Forget the consumer zooms; they are too slow. Forget the tele-converters. If you really want a zoom you're going to need a f2.8 zoom like the DA* 50-135mm that will be available this summer. I prefer a fast short or medium telephoto in the 70 to 135mm range. Somethink like the SMC-A* 85 f1.4 or 135mm f1.8 would be perfect. A budget solution is something like the SMC Pentax M 85mm f2 or the SMC 135mm f2.5 ("K"). When photographing my daughter's jazz band performances, I use my FA 77mm f1.8 Limited if I can get close enough (e.g., edge of the stage or front row of the audience); otherwise I use an FA 135mm f2.8. I find a 50mm is too short to get good results. You see a lot of little people spread out across the stage. I want to capture facial expressions and fill the frame with just one or two people.
Third: Pump the ISO to 800, 1600 (or 3200 on a 6 Mp camera) as needed. Better to have grainy pictures than blurred pictures. Use Av or M and set aperture for 1/2 to 1 stop short of maximum. Try to get a shutter speed at least 1/60 of a second, even if you need to use the lens wide open. Use manual focus and keep the actor's faces in focus. Set camera for continuous shooting. Brace the camera for minimal shake (even with SR). Then wait for the decisive moment when the actors are in a good position and not moving. Fire off three frames in a row. Then wait for the next opportunity.
You will still get a lot of duds, but you should get some good ones also. I would be happy with a dozen or so keepers from the play.