Originally posted by séamuis uh, FA limited?
The "limiteds" were exactly what I was referring to with the "*"; sorry if I didn't use the right terminology.
Originally posted by K-9 F 50mm 1.4, F 50mm 1.7, FA 50mm 1.4, FA 50mm 1.7, F 135 mm 2.8, FA 135m 2.8, F 50mm 2.8 Macro, F 100 mm 2.8 Macro. Just about all the F and FA series primes are not "cheap crap"; they're not "*" lenses; they had plenty of availability; and reasonable prices when new.
I was actually thinking more of the zooms of that period; aside from the Limiteds/*/however you refer to them, the Pentax AF zooms were mostly slow, variable aperture "consumer" lenses with less than outstanding optics. Having said that, even the primes you referenced suffer from the godawful manual focusing rings I was talking about. If you were to try out a manual 50 vs. your AF 50, I think the feel of the aperture ring and focusing ring of the AF lens would probably feel cheap by comparison.
Originally posted by K-9 You can get the same thing by taking a step forward or backward. A 35-70 is useless, IMO, especially since a standard 50mm will always be sharper, and you can obtain the 35mm by taking a step back, and the 70mm by taking a step forward. Too many photographers suffer from the "let's stand still and zoom in and out" syndrome. Try moving your feet and being a part of the action, not just a scarecrow.
Apparently, based on your emphasis in your post, you didn't focus (no pun intended) on the rather lively discussion regarding perspective that took place before I posted. You can change the framing by moving, but in doing so you also change perspective, which may introduce elements you don't want into your photo or remove elements you wanted in it. And, of course, as CanadianRockies mentioned, sometimes you simply
can't move due to obstacles or terrain.
Originally posted by K-9 I brought up a 35 to 70mm and called it useless. I never said anything about a 24-90 or something like that, because obviously you can't get as wide a perspective with a 50mm, even taking a step back, as you can with a 24mm focal length. You also can't compare a prime 50mm to an 18-270. There are always exceptions. I was merely offering a perspective to someone who uses nothing but zoom lenses, as I've encountered many photographers who are too lazy to work with primes when all it took was a few simple steps forward or back. It's a staple of most how to's and instructional courses in photography, about moving to get the shot you want, rather than zooming. It's a typical and sound suggestion and practice.
I didn't specifically say you or "those of you" or anyone in particular. I'm sure there are many like you who use zooms
and move all around to get that precise framing. However, there are those who do not and will not. My comments were to them (if they're reading this
). Sorry you took it so personally.
Though I use almost nothing but zooms, I don't compose by looking through the camera lens and zooming in and out to see what it looks like, which seems to be your impression of those who prefer zooms to primes. I usually position myself without camera in hand first (i.e., decide on what perspective I want) and then decide which zoom to use to frame the shot the way I want it. I've hiked quite a bit carrying a load of gear that would make many shooters whine, so "laziness" is hardly a characteristic I would associate with my shooting preferences, even if I do use zooms for just about all of my shooting.