Originally posted by Spock The whole concept of 'Full Frame' is just a hang over of the old 35mm film days. There is nothing special or magical about the 36x24mm sensor size. As others have said it is just one size in a whole continuum of possible sensor sizes.
Now, as many here know, I'm no FF evangelist - quite the contrary. However, in discussions on these forums a few months ago, an interesting idea surfaced (first noted by Robin, I think): the 24x36mm format *is* magical in one semi-significant way. *If* we accept there is something "special" about the FOV provided by a "normal" lens (which for this purpose we'll define as one whose focal length matches the diagonal of the format, even though that's by no means the only possible definition), then 24x36mm turns out to be the format for which the simplest viewfinder design will provide 100% magnification at that FOV. Not actually true - you really would need a slightly larger format, or else a slightly longer focal length - to get to 100%. A 50mm lens is slightly longer than normal, but comes very close to 100% magnification on a typical FF SLR. Which is to say, the magnification through the viewfinder is very close to what you see with the unaided eye. Whereas the corresponding lens on APS-C - a 33mm lens - produces a very obviously smaller than life size view. Conversely, on a larger format camera, one might expect the "normal" lens for the format to produce a larger than life size viewfinder image.
So anyhow, FF is "special" in that a "normal" lens actually looks that way through the viewfinder. How significant this is, well, that's another matter. And of course, one can design viewfinders to make the image as big or as small as you have the resources to implement, so it's not exactly an inherent advantage of the format. But it *is* one in practice.