Originally posted by jsherman999 Unlinke Marc, I wasn't ever able to match the 200 f/4 with my 50-200 - the 200 f/4 was always a tad sharper with better bokeh. That was in my K100DS days, though, so I wasn't able to try AF adjustment on the 50-200.
FWIW, I usually do these sort of tests using MF on both lenses, to remove that variable from the equation. My M200/4 vs DA50-200 tests would all have been on the (10MP) K200D, and viewing at 100%, I just don't see the sort of difference I expected to see. It's probably the closest match of any prime versus zoom comparison I've tried (looking at a couple different 28's, the DA40, a couple different 50's, the M100/2.8, and a couple of different 135's, versus both 18-55's, the 50-200 and Tamron 70-300 non-Di). Actually, the off-brand 28 was also not much obviously better than the 18-55 II.
But again, my 50-200 seems unusually good, in that I find cropping the 50-200 yields results close as as good as the Tamron 70-300 set anywhere in the 200-300 range, and my 50-200 also totally blows away the 18-55 at the 50-55 end. Also, I tend to not see some very subtle differences that others might see as more significant. I'm not shooting resolution test charts but real world objects to see how they deal with texture (veins on leaves, feathers on birds, fur on mammals, etc.). So I have no trouble believing that others would find things like more about the M200/4 when compared to the DA50-200.
Still, I'd be surprised if the M200/4 were much better than *anyone's* copy of the DA55-300.