Originally posted by mikeSF you were joking, right?
There was a smiley at the end of the post,
but there's also a serious point here.
Originally posted by mikeSF I am talking about the extreme perspective distortion inherent of very wide rectilinear lenses. Do you need to see my examples of the golden gate bridge before correction with the two towers splaying outward in a most unnatural way or are you following me?
It's a question of language,
which can be confusing for beginners
if we use the word "distortion" for two distinct effects.
Unlike barrel or pincushion drawing,
converging verticals aren't distortion.
They're a true part of the image.
A pinhole, which by its nature has no distortion,
may make verticals converge.
If the sensor is held parallel to a rectangular subject,
a good wide rectilinear lens will project a rectangular image.
So I don't see converging verticals as being
"inherent of very wide rectilinear lenses."