Originally posted by LaHo Thanks for the pointer!
Did you try it on a 50/1.4? I presume vignetting is not a problem?
Unfortunately, the product page doesn't specify the dimensions.
Originally posted by dgaies Yeah, I find it interesting as well as I think most people who have looked at the posted images have felt that the 1.7 has at least a slight advantage, even with the hoods on.
I think what Dan sees is an overall better contrast for the 1.4 images. The blacks are a bit darker with them (EDIT: Actually I'm not sure whether they really are. I'm viewing them on a laptop screen whose contrast is viewing angle dependent. The different vertical positioning of the images already makes a slight difference. Not sure if your screen is free from this effect, Dan). I think what the majority sees are the micro-contrast advantages of the 1.7. The finest details are less fuzzy in the images showing f/1.7-f/2.4 compared to the 1.4 shots.
Bringing up the contrast for the 1.7 images a bit would get them to the same level as the 1.4 images whereas it doesn't work that well the other way round. The better micro contrast of the 1.7 translates to better effective resolution.
Originally posted by dgaies That's not too say that the FA50/1.4 doesn't have other advantages over the FA50/1.7 that the test images don't demonstrate (bokeh, perhaps color and of course performance at f/1.4
).
I agree. The 50/1.7 has another advantages which is a flatter field curvature. That makes it more suitable for close ups or to be used on extension tubes. However, the 50/1.4 has other things going for it. If the 50/1.7 design would not cause compromises in other areas, I'm sure it would have been used for the 50/1.4 as well.