I was searching through the forum and most stuff I found was around digital bodies (DA what? 12mm lenses? Sigma 10-22? What?
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For those of you who use film, what is your idea of a good two-lens (ideal) or three-lens (space permitting) setup?
On one trip I took:
- SMC-M 40/2.8
- SMC-K 135/2.5
- SMC-M 24/2.8.
I found that the 40/2.8 didn't "feel right" -- a pancake lens is romantic but not usable IMHO. The 135/2.5 was a little too long for portraits, and the 24/2.8 ended up being wider than I wanted for some things.
On another trip I switched up to:
- 28/2.8 ("normal")
- 24/2.8 (wide)
- 135/2.5 (tele)
- 50/1.4 (low light)
Using the 28/2.8 as my normal was better than the 40/2.8 as it handled better with my large hands, but again too wide.
24/2.8 was a dream in tight spaces though.
Finally, my collection has grown:
- 20/2.8 (on order)
- 24/2.8
- 28/2.0 (on order)
- 35/2.0 (on order)
- 50/1.4
- 135/2.5
I also have a Tokina 80-200/4.0 zoom at my disposal but I prefer to use primes if I can. I haven't had a chance to use the 35/2.0 yet (just bought from the marketplace here, anxiously awaiting its arrival!), but I think it will be a happy medium between my original 28/2.8 and 40/2.8, plus be a stop faster. On the other hand, I have a 28/2.0 coming in -- which will give the same speed.. So many decisions!
Moving on; the biggest gap seems to be my short tele. What are opinions on a good short-tele to complement the 35/2.0? A 85/2.0? 90/2.5 (Tamron?)? 100/2.8? 135/2.5 is definitely too long for simple portraits IMHO, but it is nice to have in the bag if I had space. I'd like to stick to K-mount (otherwise I'd look at stuff like the Jupiter-9 which gets good reviews!), and A-compatible lenses would be preferred (One body is a SuperProgram, and having the full P option is nice), but not required.
BTW, why two lenses? I like to shoot with two bodies if I can, less less changing. Using primes over zooms I feel helps with composition, and makes zone focusing much easier..
Thanks for any input!
-10d