Originally posted by kristoffon Now you complain that your lens failed. But how would you handle the following situations:
- someone spills wine all over your equipment
- some kid thinks it's funny to make you trip and you twist your ankle
- while backing off for a shot you fall, drop the camera and break a lens
Huh? Would spending $1,000 on lenses have you covered?
Spilling a drink on my equipment means I get to go home early and the client gets to pay for the repair.
It's in my contract.
Some kid thinks it's funny to trip me? I think it's funny to fall on top of him.
Then I go home early.
It's in my contract.
Backing up and falling down, breaking something?
I get to go home early.
It's in my contract.
At some point, a real pro will just admit defeat.
I carry 2 camera bodies and about half a dozen lenses to a wedding.
I carry one hammerhead flash and a shoe mount as a back up.
In almost 40 years of wedding photography, I've had one camera quit working during a wedding (a Pentax MX), and one flash go down (a Metz 402 that I whacked into a pew).
When I was shooting Nikon, I never worried about equipment failure. It was simply unheard of, and I never had a Nikon fail me.
It wasn't until I started shooting with Pentax that I had to start buying multiple camera bodies, and now with SDM, it looks like multiple lenses as well.
Pro level photographers should carry back up equipment, but pro level equipment should be robust enough to not require a photographer to go onsite with an entire camera store.
In general, I love my Pentax gear.
The DA* glass that I have, or have used (I got to use a 16-50 and 50-135 for a weekend prior to their release) is of superb quality, but I have absolutely no belief that the DA* lenses are built to "Pro Grade" standards.