Some trivia notes I made from searches to get an approximate understanding of the Dmax figure of merit in relation to the film and monitor:
It appears that the "D" density range of a film negative was related to the bel.
The bel was originally introduced as a measure of telephone line loss.
Attenuation B = log10 Pin/Pout
These days the decibel is more commonly used
The base line for D is D=0 for a case where no negative is in the enlarger
As negative density increases, then D increases as the log10 inverse of the light transmitted by the section of a negative
With a very dark section of negative transmitting only 0.0001 (1/10000) times the incident light, the D value is log10 (1/.0001) = 4
Density Range, Maximum Density, Image Quality Criterion Scanner Explanation, Signification Object Contrast Aperture Stop
Here is a photo (posted before) taken early morning with Ektar 100 and scanned to a 16 bit tiff
(The download is blocked so only viewable as 8 bit jpg probably)
https://app.box.com/s/mbi6jx0kykx6ga1h6as30l1xibslqy2n
The range measured by Cinepaint was 0035Hex to F784Hex so the "D" range is about 3 bel.
That is 1/1207 and somewhere between 10 and 11 fstops of range
The Density curves of the C41 films I use (Ektar 100 and Fuji 160NS) show a usable Density "D" range of roughly 0.5 to 2.8
The dynamic range of the 10 bit truecolor monitor is (just based on quantization noise at the lsb )
2^10 *sqrt(12) = 1/3567 or a bit less than 12 fstops
An 8 bit monitor on same basis is 1/886 or about 9+ fstops