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So a short while ago, a very nice chap on this forum sold me his copy of the Pentax Macro Bellows II, an affair that ran on a single rail with a retaining screw at both ends and has a bellows setup for M42 lenses.
Not long after this arrived in the post, what should appear on e-bay but the Asahi Pentax Slide Copier? Aha, i said, and pounced on it eagerly; just hand me a desk lamp and my film digitisation worries are over!
Today it arrived, and I attempted to marry the two. NO GO. It seems there are TWO versions at least of the lens-bellows-camera half, this one and one that rides on TWO rails, and confusingly it is the SECOND which is described even in the Spotmatic-era book "The Asahi Pentax Way". There is a lug on the slide copier half which prevents it from locking together with the camera-bellows rail that I have, but probably does fit into a slot on the K mount (and later Spotmatic-era) versions.
Joy turned to despair, but then I remembered hey, the 35mm Limited Macro is probably the closest-focusing lens that Pentax ever made. Perhaps I can just hook it directly up to the slide copier and run with it. The only problem here is the integral hood, but I found that if I slid that all the way back and left the protective filter on, the bellows will take the filter inside itself and lock onto the camera. Desk lamp on, film in and away we go!
Not quite - there's not quite enough stand-off distance between the sensor plane and the film to capture the entire frame. What have I got? Another UV filter? No. Hang on, I have a 49-52mm step up ring and a 52-49mm step DOWN ring. Put those in series with the UV filter and we have JUST enough stand-off to get the whole thing in. Better still, I have an old screw-in hood for 49mm lenses that has long since lost its rubber, and that (when I can get it together with the rest of the stuff) should provide even MORE stand-off! Some experimentation may be required to prevent vignetting, BUT we are essentially just about there.
The next question, of course, relates to negative-to-positive conversion. There are online and downloadable apps for that, sure, but they add to workflow and waste time. And then it hit me - the K-5's own inbuilt filters! I flicked through them, and SURE ENOUGH, ONE IS AN INVERSION FILTER. And on top of that we have white balance adjustments to match my light source (a cool white 60W CFL desklamp)... TRIUMPH!! I have a thing I can hold in my two hands, feed film into frame by frame, point it at the light source to get good exposure, and click, one frame after another. Lovely positive JPEGs, straight out of the camera from film to SD card!
The quality isn't great so far, and I'll have to do a fair bit to optimise the settings, but right now I couldn't be happier! Proof of concept, yay!!!
Now to get that first roll of B&W film finished so I can develop it at home...