sounds a little like shakespear doesn't it?
Actually, I sold my darkroom when I went digital, so that somewhat forced me as to what I do, I scan negs.
The real issue is whether you do straight prints or do a lot of work with dodging and burning, or masks, or with variable contrast paper, or double exposures.
Any of those things can make you want to scan the finished product as opposed to the negative only because you may have worked rather hard on getting the print to look like what you wanted.
Having said that however, many of the same functions are possible , and easier to control in a digital photo editor.
I used a minolta dimage II scanner which was a little slow, but did not fail even with 20,000 scans. The reliability was impressive