Eh, first, I did not start this thread using a separate account, I swear.
I did laugh my ass off though. Nearly the same set of guys all over again. I think that you guys got hooked (again?). Majority of the responses and the type of responses were what the original poster was looking to get for his amusement.
The noise thing. As smc showed, there is no argument there. Especially if you shoot wildlife, high ISO performance will allow you to go with a higher shutter speed. They only stay still for a very short period at a time. If you shoot with an extremely long tele, this may be even more of an advantage for obvious reasons.
Then I got curious about this video thing, which I know absolutely nothing about. I have not used not once the video mode on my K-7. I actually got scared for a second that perhaps 645D had a video mode. Thank Buddha that there was no such a thing.
So 32 Gb to shoot for 10 min? Wow. That is a lot files. Nearly 200 Gb for an hour long footage. I don't think that commercial shooters would like that. If the poster was expecting a commercial level video camera performance, that is dumb.
Live View not being a default for a video mode does sound superbly retarded though. But then, how long is the battery going to last when recording 3.2 Gb of info every minute while running continuously in the Live View mode? I am sure that if you shot video for a living, you probably laugh at that. But as someone said, this is not a video camera.
Unable to adjust film speed (ISO) therefore having to automatically adjust within the same series . . . Is that what he is saying? I think I understand it, but not sure if doing that correctly. If ISO is set at the beginning of the footage, and then you pan across to an area with more light, and ISO not being adjusted. Hm . . . Yes I think this can be a problem, and I think I see some of that in the video that was posted. For example, a varying degree of over exposure in the background within the same series - I think they are there.
So I am wondering what the criteria or the definitions of commercially adequate quality in video shooting. I am sure that this has changed tremendously with the arrival of HD. Optical quality was probably not often a primary concern, because the devices used to view the output were not good enough. Optically, DSLR set up is infinitely superior than most of the video cameras out there. Shot with a fast prime with good footwork cannot possibly be beat by a tiny zoom, even if it was carl zeiss. So I am guessing that optical performance is just another part, important it may be, but not majority of it as in stills. I dunno.
So I don't think that DSLR and Video have merged, although they look like they are beginning to. I dunno. But at this point in the game, buying a DSLR and expect a commercial video quality is silly. I am certain that he doesn't own K-5 (lol).
Last edited by Fontan; 03-26-2011 at 09:17 AM.