Originally posted by crossover37 Thanks all.
I wonder how the K5 would compare to these 5D images. The full frame looks to have a lot of advantages besides shallower DOF.
The Full-Frame Advantage Ken Rockwell is a cartoonist. By that I mean his basic premises are fairly defensible, but he launches into them with abandon and makes them into caricatures of themselves.
First, this article was written in 2007; technology in DSLRs is closely linked to technology in computers, and Moore's law is felt if not seen. The K10D was current. Things have changed.
Second, the article doesn't apply in this situation in many ways because the three cameras using the new sensor technology (K-5, D7000, and that Sony) are "out of sync" tech wise with everything else. Next year we'll see full frame machines with the sensors we've got in our K-5s, and his article will be more relevant in respect to color reproduction and ISO noise and the like, but right now, those are absolutely incorrect.
I think there's something wrong with his first example (in re sharpness). I read that article some time ago and spent literally *days* on pixel-peeper.com comparing my K20D shots to shots from FF cams of similar MP. My 100mm f4 Macro produced images every bit as sharp at 100% as the FF cams. I've no idea what he's on about. Now certainly if you use a lens on your FF that's at the limit of its resolving power, then on your APS/C... well, you get the picture. But I could reproduce much of what he says is the sole purview of the FF cameras with my K20D, and the K-5 spanks that monkey. Many of my lenses still out-resolve my sensor.
So here's the upshot. If *all things are equal* , using a larger sensor with the same MP output produces technically better images, period. But things are so rarely equal...
Consider that *everything he says* applies equally to medium format images over FF images. But he doesn't advocate medium format digital (that I've seen).