Originally posted by Entropy How do you like that approach, and have you attempted to do any work with surround?
I bought one two weeks ago - my first attempt at using it was a spectacular failure (why do you have to double-tap the Record button?), I'm hoping to have a chance to try again this weekend.
Do you mount it to the camera, or use on a separate stand?
I've done three or four short bits like this, and with the H2 I've tried a boom, a tripod in front of the camera, attached to the tripod leg in front of the camera, on a mic stand on a table (in shot for interview-type situation) and a mic stand on the floor invisible to the camera (behind something). The boom style situation was the best fit for scenes without visible mics. The interview arrangement worked very well. Actually, the only one that didn't work well was hiding the H2 behind something. You could probably make a hot-shoe mount with some isolation (a la isolation mounts for condenser mics) and it would work well, too, but I wouldn't try surround that way. I'd use the 90% mics.
The double-tap on the record button is for 'pre-roll'. I tested it right after I got the H2, but don't remember how to do it. It allows you to leave it "rolling", and it won't fill up your card, but it has a thirty second "lead time" that you can save. So you hit it, it flashes, you check your levels, then leave it. If something happens you want to record, you hit it again and it saves the preceding 30sec (I believe that's how it works).
I did do surround in the boom configuration and it worked very well.
Sync can be problematic, but not too bad, and the overall quality is far superior to what you can get from in-camera methods. It's often nice to use both, though, and use the peaks in the on-camera sound to align and mix in for ambience if you have the mic close to your subjects.