M's and A's, For Digital?
Hello Ray, Welcome to the Forum!
Like you, I had a fair collection of M's and a couple A's when I started digital. While I've since acquired some DA's and F/FA's, I've also picked up a few more M's and A's for much less $$ (per lens) and am very happy using them.
But coming from a film background gives me greater patience/tolerance for manual focus and aperture, newer buyers used to AF and AE seem to want (if not need) more, faster features. Since Pentax is one of the few makers who offer these choices, a huge range of legacy and modern gear, it makes sense to use this for our advantage. Knowing when and why a certain lens is 'better' for the occasion is the key.
I also have a Katzeye screen in my trusty K10D and mainly use that body with manual lenses because of the focusing accuracy. Since the MF and green-button metering take a bit longer, these tend to be scenic, time exposures, night photography and available light photography, performing arts (mostly music concerts).
For street ,candids and faster-moving subjects, the FA's and DA's allow faster response, just as the DA zooms allow quicker focal-length changes. These are used on a K-7 and K-5 with the standard screen.
You're right about the color rendition, the older lenses have a somewhat softer color palette without sacrificing good contrast. This can be used for a more 'timeless' look, especially when combined with B + W post processing.
The DA's (especially) have a more 'pop', vivid, sometimes enhanced look, although Pentax overall isn't as garish or oversaturated-looking as some other brands.
Since my M's and A's are generally faster in aperture than the DA's (with the exception of the DA 35mm f/2.4) I always have the A 28mm f/2.8, M50mm f/1.7 and M85mm f/2.0 along when expecting low-light shooting. A manual-focus prime of f/2.0 or faster can often be the difference between getting the shot or not! I wouldn't be able to afford this lens speed in modern glass, although a couple of DA Ltd's would be nice!
So, I'd suggest hanging on to your MF lenses and use your equipment to the best advantage. Buy what your budget allows, don't let the 'buy everything new!' thinking dictate your taste or preferences.
The only real criteria is the final product, the photo. The gear is just a means to that end.
JMO,
Ron
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