Originally posted by jimr-pdx Great story - and convincing too as I know I'd go mad with two sets of gear. Even K-5 + K-01 + Q is crazy enough, but parallel sets of lenses too? Glad you survived it, and it's far more clear that I could not do what you did. I'm glad my wife wanted twin Qs even though we had twin Lumix m4/3 gear at the time; it feels really good to know these lenses fit whatever body I pick up, or drag from the closet (that would be the ME or Ricoh XR-10).
The two different sets of gear wasn't the maddening part looking back. The gear element was 100% in my control. If I setup the SD/CF cards properly (I found out now that it was on RAW+RAW backup, not RAW+JPG) for a faster buffer, or the CLS system knowledge, remembering which pocket my flash triggers were in... those were all in my control.
the most maddening element of this whole thing was the pace, coupled with everyone wanting to get their shots with their cell phones, while me, the hired photographer, is trying to take control of the situation. This is the first wedding I've done where it felt like a 200m sprint to the end. That was exhausting.
Lets look at it this way:
The last few weddings I've done were 14 hour marathons on average. I would go through 3 sets of batteries for my flashes, and about 3 batteries for my K5's. (one would get changed out on my primary body). I would usually get around 1400 shots to go through by the end of the day, and maybe a roll or two of film, and usually get the flower girl (depending on age) to run around with the Q. Then I can usually cut that down to about 700 images that are keepers. I further weed that down to 150-200 shots (depending on the size of the wedding) to give to my clients as previews for prints. Then whatever they want edited and printed gets done, then I collect the rest of my payment and sleep for a week.
Yesterday was 130 minutes from the time I pulled my car into the parking lot of the venue till the time I pulled out. I shot just under 400 frames between all three cameras. I've gotten that down to 100 images for preview.
P.S. Those are two things that have won my clients over on weddings... Film & Q in the hands of a child. I show them the creative filters and just let them go free. I get some fantastic shots at the end of the day from the Q, mostly because of the unique perspective a child has on the world. Then the film is just a conversation piece and usually ends up being one of the best shots of the day.
At the end of the day, it doesn't matter what gear you use, or how dazed and confused you are at the end of it. What matters is the ear to ear smiles on your clients faces when they get to see their images.