Errr, welcome to the world of manual flash.
As others have said, you will not have any automation whatsoever.
At your upcoming work events, you will have some time to prepare for the portrait shots since you will establish a working distance, which is a major factor in getting the flash power adjusted correctly. You can calculate based on guide number to start with, or just guess, and then adjust from there. Then take each portrait using the same distance and camera/flash settings. For a wider group of people, you might step back, in which case you will need to bump the flash power or open your aperture, but those are things you can kinda guesstimate once you establish your pattern.
For the candid shots, you will have a bit more trouble getting the exposure correct without some practice, since, well, some shots will be taken farther from the subject than others. If the ceiling is high, but not so high as to make the reflected flash too weak, then bouncing the flash off the ceiling will help a lot, because 1) it produces more even/natural lighting than direct flash; and 2) it increases your overall flash distance (by the inverse square law) which helps to minimize the variation in flash intensity that you would get with direct flash. That is harder to explain than to do.
Totally agree with OregonJim's approach, to consider the ambient lighting first whenever possible, then fill with flash. But if you have a slower lens, and/or the ambient lighting is dark like an evening cocktail party, that you might need to light primarily with the flash.