Personally, I've shot Nikon and pondered moving to or shooting in addition to Pentax Fujifilm and even M43. However, none of that was because my Pentax gear was inferior. When I was shooting Nikon I needed longer lenses which at the time Pentax either didn't have or were insanely expensive, it was cheaper to use a dual system.
The reason I've considered a dual system again is size. For normal photography, I enjoy the size of an SLR which is easy to use, but in the mountains while climbing technical routes, smaller is better (as long as it's usable.
So, getting that aside. I absolutely love the K-5IIs. The IQ is outstanding, the focus is fast and accurate. The camera size is great. I've reviewed the K-3 as well and found it to be a great camera, but a little bigger and not really that much better in IQ. However, it has more focus points and it has a more advanced meter.
The problem is, based on what you wrote, I'm not sure you understand how focus points work. Focus points don't offer more focus, they offer more places for the camera to focus. The depth of focus is the same on a APS-C Nikon or the Pentax K-5IIs and matching Sigma 10-20mm lens at a given aperture and focal length.
Metering is similarly simplistic. Although new meters are definitely more accurate in tough lighting than old center weighted systems, your camera still sees the world in shades of grey. In tones. All you have to do to get accurate exposures is set the camera to spot meter, meter a middle toned portion of your subject and adjust EV comp based on the key component of the image. So for instance, I'm shooting a landscape, I meter the green grass or blue sky. Both are mid tone grey. But if I wanted to shoot into the sun for a silhouette, I would meter my subject and stop down two stops to get the silhouette.
As far as focusing in low light. The K-5IIs seems to do a great job. I've had good success in low light in tough conditions using both slow lenses (3.5-5.6) and faster f/2 glass. My guess is it's either a DOF issue or a front back focus issue. With my K-7 I had to correct every lens. With the k-5IIs, they almost all work out of the box, but I did do a correction on my FA 35mm F/2.
Finally, Sigma glass can be a good option for Pentax system, but part of the reason Sigma isn't selling as much Pentax glass is Pentax now has a very robust lineup. Everything from wide to Telephoto is covered. Sigma is best for filling in niche glass like a 30mm 1.4 or 28mm 1.8...however, Pentax even has lenses there, the 31mm limited is close enough to those.
I'm not hating on Sigma. I had the 20mm 1.8 (hated it) 10-20mm and liked it. I have a 70-300mm (very good travel lens), a 400mm 5.6 (tiny and hand holdable). I also have a 70-200 2.8 (excellent lens). However, I'd trade my Sigma glass for Pentax glass in most cases. Sigma often produces a sharper lens, but lacking contrast, flare and distortion control that Pentax often exceeds at.
---------- Post added 06-02-2016 at 08:32 AM ----------
Originally posted by gbeaton I have a K-5II BECAUSE I wanted better low light performance. I hope I'm not misguided but I'd say 95% of the NON-point-and-shooters out there use centre-focus only. Frame your shot, point the centre reticle at the desired spot, lock the focus, repoint to the desired framing, done! This is fast and accurate, focusing where YOU want and it only takes a fraction of a second. And as mentioned, a fast wide lens will have more in focus.
I shoot center point and recompose a lot, but I'd say it isn't the best technique on critical focus with large apertures and close focusing. The closer I am, the wider the aperture, the more likely I am to use non center point for the most accurate focus.
This doesn't mean I need 95 focus points. 10-20 is plenty, 27 would be a little better I guess. But with 11 I'm usually not moving the camera that much to line the closest point up with my desired point of focus.
At f/8 and up or with ultra wide angles from say 5.6, I usually just shoot for what I think (based on experience, but sometimes a depth of focus chart or app) is the optimal spot to focus or do the center point and recompose. Usually a little variance at these apertures isn't the end of the world.
---------- Post added 06-02-2016 at 08:35 AM ----------
Originally posted by dafbp It's easier than you think: just set the camera to AF-Single (set the switch to 12 o'clock). Then, when you Half press the shutter button to focus, don't release it. That way the focus will remain locked at that distance and you can move the camera around to your preferred framing. Then just press the other half of the way
If you're on a tripod and want to keep that focus, just turn it to Manual after setting it. Then you can try taking pictures in various settings without worrying about focusing.
I recommend not mapping the focus to the shutter. Use the AF button, then you don't have to hold the button halfway. In the custom settings turn off the AF on shutter button.