Hey everyone... sorry for not responding sooner... I just returned from a 5 day road trip of Oregon... just me and the dogs and the van. I'll post shots later.
Originally posted by Ash Raw beauty well captured Hamid.
Loooove the lighting in 2 and 4, but they're all great - she should be very happy with your work.
Isn't it a hard life being a model photographer.....
Oh yes... it's a really tough life! ha! Thanks!
Originally posted by Mike Cash I scrolled slowly down the photos.....until I got to the bikini shot, at which I said "Holy Sh*t!" (Don't tell my mother I've been using foul language).
I didn't notice any pimples until they were pointed out, and even then had trouble spotting them.
I won't tell your mother... but, Santa Claus hears all! More bikini shots to come... we're set to do another shoot tomorrow at the Sandy River.
Originally posted by spyglass Getting past the obvious and acknowledging the very attractive woman as a wonderful and exciting photographic subject, I am envious at your opportunity to photograph a model with such rich skin tones. Looking at the photos that you have taken so far, it looks like you can isolate and control skin highlights, define shape, emphasize contour, due to a lower level of reflectance off of the skin. I would be interested in your thoughts on this. I would also like to see your future posts using natural lighting. It would be interesting to see reflector placements, and diffuser placement (sun orientation, camera orientation, subject orientation, etc).
On another note, (not saying that you would, but saw that someone did ask) please do not photoshop your results in an attempt to achieve the fake, unrealistic, commercially saturated available images that we are drowning in today. Real is beautiful, she is beautiful. If its not broken, don't fixed it.
Nice job here Hamidlmt.
I felt Ndey was a great find with such amazing skin tones.
Light control in the studio setting (i.e. the garage) has been greatly increased by the use of louvers on the softbox and grids on the Octodome. It keeps the light very directional. Without them, I'd often blow out highlights. Ndey skin tones helped with that too... though, I had to use a bit of a slower shutter speed than what I'm used to. That's the problem with continuous light... just can't up the power like with strobes.
I rarely Photoshop out blemishes, unless it's a very obvious thing... or, if the model requests it. I like to keep my captures as "in-camera" as possible. I generally only gives the left and right sliders in Levels and squeeze and call it good.
Appreciate your thoughts!