I hear you. It's much easier to make sensible purchasing decisions after you've already made the bad ones. If you ever find yourself near the bruce peninsula I'd be happy to let you try out some of my gear (while I discretely try to absorb some of your butterfly knowledge
)
Originally posted by arkav Those triggers might be the way to go for someone else who sees themselves making more extensive use of flash
in a studio setting, so they're a great suggestion. Thanks for that.
They're grand in the field too
. A standard setup for me is attached below (I've been meaning to post this somewhere, here seems like a good place so no worries if you find it impractical for your use
). It takes:
-1 radio transmitter, and 2 triggers. Mine are older rf602's, but newer rf603ii's would be about $50-60
-2 flashes, old sunpak 433d's are my usual ~20-30 each (on sb28 is pictured below, more expensive and handy to have a flash with more features sometimes)
-2 stands. A tripod works (shown here), and so will pretty cheap stands. Mine are the more costly
Manfrotto 5001B Nano Black Light Stand - 6.2' (1.9m) 5001B B&H, since I opted for compact quality to withstand years, and years of use.
-2 umbrella swivels. Optional, but give more control over the direction of the flash when on a stand (not needed on a tripod w/ballhead). Mine were random but sturdy brand, ~$15 each.
-DIY softbox, a few $ of foamcore, parchment paper, hot glue, and snazzy black duct tape and you can make several.
You can cut costs and aim for only one light off camera on a random cheap tripod. Combined with a reflector, you'll still have a very versatile setup.
My usual use is to set up the lights aimed at something interesting, then I'm free to handhold the camera and move around relatively unencumbered. Some results:
Cross lit the same as in the iris setup shot:
Tent Caterpillars by
Jelly Brain, on Flickr
Softbox at subject, bare flash aimed at background:
Gypsy Moth Caterpillar by
Jelly Brain, on Flickr
Softbox + reflector on opposite side:
Laurel Sphinx Caterpillar by
Jelly Brain, on Flickr
This kind of setup isn't for everyone. Compared with one like old4570's in the OP:
Pros
-more flexible lighting configurations are possible
-once setup, camera is easy to move around unencumbered
-works great for slow moving things, or things that return to perches/feeding locations
Cons
-not nearly as mobile for chasing fast stuff
-more stuff means more to carry
-more costly if you're starting from scratch, especially if you have no tripod to use as a 'free stand' and opt for multiple lights
Depends on your preferences and what you're after, what kind of trade-offs you're willing to make, etc
. I have a setup like old4570's that I use for nighttime frog chasing (less gear to keep track of), though I'll sometimes supplement it with an off camera flash or two as rimlights. Horses for courses. Lighting is imo one of the most crucial aspects of close up photography, but fortunately I think it has one of the best bang for buck ratios out of all camera gear if you opt for the frugal manual flash approach
.