Originally posted by paden501 Lowell,
I wasn't implying that they were using the VR capabilities of their lens, but rather I mentioned VR to imply that they were using high quality equipment. I'm well versed in the uses and non-uses of SR technologies and I realize that the VR wouldn't help them on a tripod. For comparison purposes, lets just say that the f 30-70 lens that I used for this shoot was purchased used for $80.
Also yes I've been to events where the hired pro was allowed to use flash.
The point that i was trying to make is that people (and these girls in this case) lack appreciation for the difficulty involved because they're exposed to so much high quality work.
The girl's mother even made a comment to me last night that 'you need to work on your timing on the jump shots. They're just not quite there'
Matt
No intended / implied lecture regarding SR and what the pro's used, and perhaps it is my interpretation that led to that assumption and pointing out the limits of SR.
If you only paid $80 for the lens, I think you have proven that price does not make the photo, as I think they are great shots.
I agree that some people lack appreciation for the difficulty of the shot. Personally, for this type of shot, I like using stage lighting only, I think it adds something.
I also appreciate that if I were to put my AF540 FGZ on the camera, put the ISO down to something reasoable, and let loose with this in a darkened auditorium, I would be thrown out and justifyably so. (At full power it might also blister the paint on the back wall)
I guess the real question is, what people "expect"
Using a flash will produce a nice sharp image of the dancer, with motion frozen, and a lot of distraction in the background, plus washing out of the projected background in your shots. Maybe some people think that is a good shot, because the subject is absolutely sharp and they look past the distractions, or simply don't care.
Your shots capture the event, it is different than capturing the subject only. As stated earlier, I prefer your shots.
As to timing, I will leave that for you to fight. You have seen my opinion already.
Edit note re timing, is it expected that the dancer should be absolutely parallel to the floor at the instant of the shot? Even a pro could spend all day and not capture that one reliably.