Originally posted by Fenwoodian All serious bird photographers that I know understand that without a catch light in a birds eye, the bird is lifeless. It makes no matter what color the birds eye is - a catch light will make even a black colored eye sparkle and come alive!
Also, most serious bird photographers will either shoot with the sun to their backs, or, if the bird is backlighted, use a flash with a fresnel lens flash extension to create an artificial catch light in the birds eye.
So, as you can see, you are very wrong when you say that lighting a birds eye is 95% out of the photographers control. Rather, it's 100% controlled by the the photographer, but I guess that you didn't know that.....
And yet with your explanations you still missed the catch light in 2 of the photos (actually just one, the other is a closer crop). The thing is I don't buy into the whole lifeless if there is no catch light in the eye idea as it puts photography into a pretty small box, just like those people who think specific focal lengths are the only focal lengths that should be used for portraiture. I'm not saying that they may be ideal for some portraiture but holding hard to those made up rules limits creativity. Creativity like back-lit birds, yes not many photographers would shoot a bird into the sun but then that is way not many photographer would be able to get a new different artistic look to a bird photo.
Now I've used a fresnel lens on a flash before and found it truly ruined photos of birds and other animals, the idea is neat but the execution and end result is very bad. You see when the light is direct on the subject whether its feather or fur it comes directly back to the camera causing very flat ugly looking detail in the feathers of fur. Had the light been 45-90 degrees off the axis of the lens then it would be great... sure I could have a friend hold the flash off camera, use a radio trigger and get off angle light but any of my friends who are interested in photography would much rather be shooting the bird than be holding a flash for me.
Bottom line is if you hold dearly and strongly to the existing conventions and rules decided on by random photographers of the past and don't explore outside the box you're severely limiting your creative potential. Not every photo has to be clinically perfect just because that is the preferred method by some photographers.
Also I'm not a serious anything photographer, I'm a happy jack of all trades, master of some trades, serious when I want to be and explorer of the unorthodox photographer! Wait! don't I have a quote about being outside the box that appears in the signature of my threads? Anyhow you don't have to like the photos that don't match the usual way of doing things that you buy into, it seems others can appreciate when things aren't the boring everyday ordinary.