The original posted image.
OK, here ya go... making the Raven black involved reducing the Vibrancy which was set at 0 to negative levels. I've never before done that to an image. LIke my Grackle images, I'm convinced a lot of that colour will be visible if I again get that close to a bird. I was 5 feet away shooting at 55 mm. So I'm still not sure if I'm portraying what the bird actually looked like, or what everyone thinks it should look like. The colour is undoubtedly there, the camera doesn't invent things. The only issue is how pronounced it is.
According to Yahoo Answers
Quote: A Raven is black but depending on which way the light hits it they change to other colors like bluish, dark red, or greenish.
Raven is black that gives off a blue tint every time the light hits it.
According to Wilkepedia
Quote: In sunlight, the plumage can display a blue or purple sheen which is a result of iridescence
OK, so which interpretation is the correct one?
OK, one more go....
minus 0.33 vibrancy on the whole scene, +1 vibrancy on the sunlit areas. White balance on the grey bolt on the park bench.
It's all the same DNG.
Jet black is just not happening, unless i take the vibrancy right to -1.
I also have to add, if we decide to print it, we'll work on it for another 45 minutes minimum, and there will be a huge "discussion " of what looks best.