Originally posted by Schraubstock In the context of of this thread I feel I may be allowed to post one image and not run foul of the PF rules.
Norm, your images have just too much orange/red cast. Even the beak of the bird has a bit of that look. I find it hard to accept that mother nature produces such orange/red forest floors.
Cheers
You've never been in a pine forest after rain fall I'm guessing. Interesting though, you see something you haven't seen, or paid attention to, and you assume it's something I've done. That seriously diminishes the perceptual value of the information of the image. I feel kind of sorry for you.
I found looking at the images that the feathers around the neck of the bird are not iridescent, and are black, so I used those for my white balance. No separate colour channel manipulation was done. There is a heavy red hue, light reflected from the red pine needles on the forest floor, there is a heavy green hue, light filtering through the green leaves of the canopy. There is a bit of blue light from the sky peaking through the leaves and there are spots of yellow sunlight. Were you wanting me to change what nature provided to suit your thoughts of what should be?
So this is an accurate capture. Sorry about your disability getting in the way of you enjoying the image. You seem to be implying I should only look for and capture the bland and try and not try and capture natures lighting effects in my images.
To me the image is a composition enhanced by the different colours of reflected light around the bird and how it plays off it's iridescent feathers.. Apparently to you what I find most interesting destroys the image. Do you want to see what I see, or do you want to see what you think I should see? It's a tough sell, when you weren't there, and it's possible your colour perception is enough different than mine, you wouldn't agree with my handling of this file even if you were.
I'll just say the forest after a rain or heavy mist is incredibly rich. Probably richer than you can portray with a camera.
So your response is disappointing, but hey, you can't please everyone.
You work for those who appreciate your work. Those who don't, I don't pay attention to them. Unless they continually get in my face about it.
I spent two hours walking around this bird looking for the most interesting light patterns, shooting whenever i saw something a little different. I took over 500 images. (The one you posted was my favourite.) Three sets of visitors came through while I was shooting, none stayed more than 10 minutes. . The other photographers there with me were at most there 20 minutes. Maybe you'd prefer one of their shots? I can tell you they don't have what I got. But maybe they'd be more to your liking. Flat, and washed out etc. The shot you linked to was taken with me lying on wet soil down the hill from the bird to get the angle I wanted, crawling forward and backwards with a prime lens to get the exact framing I wanted. I can tell you without question of a doubt, no one else there got that shot or anything like it. They didn't get close enough, the guys with the expensive long lenses shot from much further away. No one else shot from the angle I did. (They might have gotten dirty and it's not worth getting dirty to get a great image is it?)
We've been through this enough times now, you're getting close to my ignore list. I understand your point, I reject it. Are we clear? If I want your critical opinion I'll post in the critique thread. I post what makes me happy, not what would make you happy. There's probably no greater source of unhappiness in the world, than having to work to other peoples standards.
But at bare minimum, you should learn to distinguish between shots that took a lot of effort and the snapshots of the every day tourist and causal photographers. Shots like the one you posted don't happen by accident.
I spent so much time with this bird I was late home for dinner, (and I was supposed to cook). That in my world is a major crime.
By the end I felt like we were buddies. If I could have brought him home and fed him with the other birds who hang out in my back yard I would have.
You share once in lifetime material, and what do you get? 'It looks fake." That's photography. If you're a photographer, you learn to live with it.