Originally posted by hamidlmt On my Powerbook monitor I can see all the seems. It's the black to black transitions that I'm seeing. If I turn the brightness on the monitor down enough, they go away.
I tried a levels adjustment... to make the dark colors darker.... setting the left slider to 10 made the seems go away.
I'll try to illustrate it here.
Here is your original at 100% in Photoshop. On my monitor, I can see the transitions where you've probably used the lasso tool to snag each fireworks burst.
Here, I've sketched the outlines of the rough transitions.
Here, I've adjusted the left levels indicator to 10... it makes the darks darker and pretty much leaves the bright fireworks alone. Now I no longer see the transitions.
And, here is your original with the levels adjusted - resized by flickr... but, you can make the same adjustment yourself. Or, I'd be happy to email you the file.
Hope this helps! This would look so cool printed big up on the wall!
Hey, thanks a heap for taking the time to demonstrate this!
I'm really astounded for a couple of reasons:
1) On all monitors I use I can't see the seams you mention; I use a calibrated one and they don't show up, even magnified. I also looked at the pic at a G4 15'' powerbook without seeing anything.
2) To be sure to not miss anything during PP I adjusted levels temporarily quite harshly through a adjustment level for maximum contrast in the dark regions - edges of the selections were clearly visible then. I then painted away all visible seams with a soft brush on layers masks of the single pics. Then I removed the levels adjustment. BTW: I didn't use the lasso tool - the pics were cropped during raw development and then "painted in" with layer masks.
3) As the say: The print counts! I have already done a normal sized print of this one with my Epson R800 on roll paper, and can't find any signs of seams on it.
So you see me stumped; you obviously see something I can't reproduce on my monitors, and can't see on print. The lines you've drawn to demonstrate the seams correspond roughly to my layer paintings, so you obviously see it quite clearly. But I'm a really clueless because I can't reproduce it on my gear.
The big poster sized print of it is planned, but not yet on order, and I'll have another supercritical look at my composite, blowing contrasts temporarily to extremes again to find anything that may turn up on it. And I'll probably take up your suggestion of cutting off the dark levels to a degree to be on the safe side.
Thanks again very much for taking your time helping me out here - you may have saved me a serious amount of Euros! I hate redoing expensive poster prints
Phil