So I bought what PentaxForums called "The Niftiest Nifty Fifty" in an article comparing some 50mm lenses - the DA 50mm f/1.8 lens.
I thought I'd make some comparisons to see if it's worth keeping - I have the F 50 1.7 as my AF 50mm lens and a few others. And my F 50 1.7 isn't really worth selling - I bought it in V condition from Adorama, which is like their bargain rating, and since then the pastic filter ring has already partially broken off - on its own. I glued most of it back on and use a petal hood with it, so it doesn't look horrible - I mean, more horrible than the F series already does!
So I did two totally informal and unscientific tests with my K-3 first, and then with the K200D... my K-3 test included AF lenses as well (the DA*16-50 and HD DA 18-50, both at 50mm).
So my informal, unscientific conclusions... which I'm posting here instead of creating a new thread, because I don't think they are a definite conclusion - it's just how these lenses work out in my own use...
* At f5.6 and f8 they are all very good, even the zooms, but there are differences. The primes tend to have a bit better microcontrast and clarity - I guess that is not a surprise. But both zooms were really, really close.
* Between the DA 50 1.8 and the F 50 1.7, they were a bit more different than I expected. Which makes sense since they are different optical formulas (looking at the curvature of the front element one can already tell they are different). Main differences:
- The DA has nicer colors, and better microcontrast from wide open.
- The DA is also a bit sharper wide open.
- The DA has slightly better bokeh but the difference is not as big as I thought it would be, even stopped down (I did not test specular highlights though... where I know the DA will come out on top)
- The DA also has a bit better transmission. Consistently, both on the K-3 and K200D, when using the exact same exposure, the DA picture were always a tad brighter. Not much, but it was noticeable in both tests, so I think it wasn't just the light changing.
- Very surprising to me, the F 50 1.7 has absolutely zero purple fringing in the center wide, while the DA has a little bit in tough scenes, which is then gone by f2.8. My test was white flowers with light directly on them, against a darker background.
- Focusing might be a bit more precise with the F. Both are LOUD, the DA probably a bit more so.
* I also added other lenses to this comparison, including two all-time greats - the SMC "K" 50mm f/1.2, and the Rikenon P 50mm f/1.4.
- Both lenses trumped the slower lenses in terms of bokeh
- Clarity was also noticeably a bit better
- To my surprise, the RIkenon P 50 1.4 actually came out on top. The rendering of that lens is - to my amateur eyes - astonishing. I liked it better even than the mighty "K".
So here are some shots... straight bulk RAW to JPEG conversion via RawTherapee with no settings changed, and then reduced in size by the image host provider. I might upload some high resolution pictures later... but the service I have to upload test photos is not very good at providing a forum size image with a link to the full size image, their forum sized images are a bit small. I hope this is more useful for now.
Comparing them all at f2
DA 50 1.8 @f2
F 50 1.7 @f2
K 50 1.2 @f2
RIkenon P 50 1.4 @f2
Perhaps even more telling, here they are at f5.6...
DA 50 1.8 @f5.6
F 50 1.7 @f5.6
K 50 1.2 @5.6
Rikenon 50 1.4 @f5.6
Final Conclusions
The DA 50 1.8 in the "real world", I think, is better than the F 50 1.7, despite the latter handling CA a bit better.
Also, my manual 50s are even better and I should use them more often, instead of getting lazy and relying on AF...