Originally posted by JensE . The Samyang renders very contrasty, so I often need to 'tame down' the pictures a bit, but when I do, I find the rendering really nice. Flare control, as in avoiding excessive flare, is absolutely superb - as shown in this thread several times. Sometimes, starbursts can be rendered a little unpleasantly wide though.
Qualities like sharpness, contrast, rendering, flare control are all relative; a lens is judged by how it compares to other lenses. When I first purchased the K-1, my intention was to buy the Rokinon version of the Samyang 12mm FE. I own a couple of Samyang lenses (the 7.5mm m43 FE and the 10mm/2.8), and I appreciate the sharpness that these lenses provide at a relatively low cost. Furthermore, the Rokinon12mm FE is, like my 10mm/2.8, one of only three Samyang derived lenses that feature nano coating, and I do suspect that this helps a little in terms of color and contrast. As nice as these Samyang lenses undoubtedly are, I would not grade them high when it comes to the
quality of the sharpness and the rendering the edges of objects against a
focused background. The Samyang 7.5mm is the flatest rendering lens I've ever used, and the 10mm/2.8 isn't significantly better in this regard. I've looked at a number of high resolution images taken with the Samyang 12, and I find the rendering very similar to my 10mm. On the other hand, the F 17-28 is the best rendering zoom lens I've ever used. It renders like a limited prime --- which, I suppose, is not entirely surprising given that it was designed by Jun Hirakawa, who was also responsible for the 40, 43, and 77 limiteds. The tradeoff is the lens is not as good at resolving fine detail as the Samyang 12. The F 17-28 could be regarded as an "art" lens in the true sense of the word (i.e., not in the sense used by Sigma), whereas the Samyang 12 is more of a high performing lens.
Another shot from the F 17-28: