.
Thanks everyone for the kind words, but it's really what Allen Hopkins said:
"f/8 and be there."
In other words, lenses like the 15 want to tag along with you everywhere. That
alone is going to guarantee more good shots.
For example, those wall/mural shots - Yesterday I was driving to a storage place
across town at the end of a big errand-run with my little guy and wife snoozing
in the car, and I saw that wall while parked at an intersection. I pulled over, got
out, snapped for about three minutes in the cold, viola. If I didn't have my
camera with me, that would have just been another "Gee, that would have
made a good subject" moment. Same with the frozen water pipe and Acme
shots, just some stuff that was across the parking lot from the storage building I
went to yesterday.
Originally posted by deadwolfbones
btw, Jay... can you share your testing methodology for your lenses re: focus
correction? ...
Very informal, just place the camera on a table and shoot some very small
text from near MFD, and then MFD + about 1 meter, and adjust until it's spot-on.
Sometimes I'll shoot a ruler at a 45-degree angle to give me an indication
which way I should start adjusting. Then, I'll shoot some distant subjects with
the AF adjustment on, then off, and look at 100% crops of each to see if the AF
adjustment is screwing anything up at distance. That's it.
Here's a distance shot and crop, not infinity, but probably cose to hyperfocal
distance if not already there:
Crop:
If you look at the brick around the head, you'll see that AF adjust is doing
just fine at that distance.
Here's some shooting from today's errands, at the MOA and then pulled over
to take some shots on the way back.
First, another technical shot of nothing in particular - look how 'clean' and crisp
the lens is, the tonal gradient in the red part of the roof, and the detail in the
brick below the shadow line down at doorknob level. I like.
Anyway, the real shots...
Yes, it can be a fun kid shooter:
&
The pull-over-shoot:
(In Minneapolis, we keep our artists busy by making them paint grain elevators.
)
.