Originally posted by CarlJF Are you sure you were not using the SB-800 in manual mode ? As far as I know, people using Canon or Nikon have the exaxt same issue.
The workaround should be the same: using radio trigger or sync cable with the manual flashes. With the radio triggers, you can use a p-ttl cable as a kind of "hot shoe splitter", putting the radio trigger on one end and the ttl flash on the other. Obviously, using a flash bracket would be quite useful to support either the flash or trigger. I haven't tried it, but this should work. I don't know if the 645 has a sync port, but if so, it could also probably be used to trigger the remote flashes directly or with the radio trigger, by pluging it on the sync port instead of the hotshoe....
So, this workaround - yea, that's what I was thinking, but I don't really want to go there. Might have to, we'll see.
This thread might make it seem like I'm pretty clueless about the new technology speedlights, and basically, I am.
I have used pocket wizards, studio strobes and Vivitar 285's up until a few years ago, so for me it was always all manual and all numbers, and usually all off camera. But I picked up an SB800 by chance a few years back and started using the TTL mode and really took playing with on camera flash, and I really took to it - but I only just started trying to do this with the Pentax in the past year, and just resorting to using the SB-800 in Manual mode on my Pentax. I figured TTL would work as smoothly on the Pentax as the Nikon but, well, nope.
If they all do the preflash, then I am stumped. I have definitely used my SB800 a ton in TTL getting the results I wanted to. Maybe the preflash on it is just imperceptible compared to the Pentax. The main thing I don't like the preflash for is more the delay it causes then the studio light situation. If I used the SB800 with studio lights I guess it must have been in manual. I just have never noticed a preflash on the SB800 in ttl mode. But I rarely mix them because as I stated, I usually prefer just the on camera flash, and that is second to the natural light I most often use. The last time I actually mixed on camera flash with the profotos (besides with the Pentax and the SB800 in manual mode on it, which is what I have mostly done up until I got this 540) was probably almost a year ago. I've only used the profotos a few times in the past year though. I've just had a series of shoots come up in the past few weeks where I needed to mix the two, and it was fine I just went manual mode like I am used to, but wondered if I could work with it in exactly the way I had envisioned - which appears not to be the case.
---------- Post added 03-02-16 at 02:22 PM ----------
Ok, you guys had me thinking I was going nuts so I just got out my flashes for everything - Sony, Nikon and Pentax and tried it all.
I think I can see the preflash from the Nikon and the Sony in TTL, but it is basically imperceptible. It's quite fast.
On the Pentax, it is quite slow, but I also have a strangely sticky mirror on my 645D - sticky enough to even when you shoot at 1/125 you hear distinctly the mirror opening, then closing - I am thinking that it is maybe the sticky mirror that the preflash is syncing to and making it seem so separate and noticeable. The strange thing though - the exposures are still good, it's not like I am getting the ambient light of a slow exposure. I'm not sure what's going on.