Originally posted by tibbitts Accuracy in bounce mode seems to me to be the same as in direct mode.
This is what I was getting at - how well it meters when the thing is set to some arbitrary degree of tilt and swivel.
Originally posted by tibbitts Which means it's usually close in terms of exposure, but rarely optimal.
Ultimately I'll be dealing with home-developed black and white film, so I can correct either in development or in the post-processing phase that follows digitisation.
Originally posted by tibbitts If you're using ISO 10 or something, you're going to have issues with power.
LOL no. Not going there.
Originally posted by pentaxus If the room has off-white walls I found that using a wall directly behind you can give a pleasing result ( rotating the head so that it hits behind and above you, turning the wall into a giant umbrella ).
I must give that a shot with my AF540FGZ-II and K-5. (Yes, the original FGZ had a thyristor function and would have made getting the 280T unnecessary - but it also had battery door issues, was significantly bigger, and wasn't WR, all of which counted against it for the intended use.)
Originally posted by pentaxus Shooting a test roll is important.
Always willing to have an excuse to shoot and develop film.
Come to think of it, why don't I shoot a test roll with my 540FGZ-II at various manual power levels on the Spotmatic? I've just loaded a 36-shot roll of 100 ASA film and will be looking for something to do (develop the film) at the end of this week. The results of that might be very interesting to see. Must go off and work out a test sequence.