'Run and Gun', I love it! Now I can be part of the
'P-TTL Light Brigade', known as the Run 'n Gunners !
Its a pictorial and expressive sort of characterisation, thanks ClassA ..... I can see the TV advert now : Our young, fit P-TTL flash photographer, high up in the Swiss Alps on a snowboard, careering around a bend with the camera in one hand stretched out behind his back, grabbing perfectly exposed portraits of his snowboarding companions doing flying jumps over a series of mounds.... and clearly benefiting from the automation, ergonomic ease and technical perfection of flash and ambient balancing that P-TTL plus Camera Program mode would obviously provide.
Or is my imagination running away from itself .... ?
Back to reality ..... I probably would not try to characterise a Flash mode as suited to the photographers physical behaviours or whether its snapshot or considered photography, eg casual and quick vs serious and methodical (our snowboarder there might well have more success with everything pre-fixed in Manual!). Rather I think it depends more on the technical methods being employed and shooting workflow complexities (on-camera vs off, need to respond to ambient light fluctuations or not, that sort of thing).
Certainly I recommend P-TTL for on-camera work, and that is not because on-camera work is like 'run & gun' ... no, in fact most of my on-camera flash photography is fairly measured and methodical, with assessment shots taken and adjustments made. But still I find P-TTL flash mode, combined usually with manual camera mode, to be the most efficient and reliable approach, even when the pace of things might be really slow.
Conversely, generally, when setting up off-camera flashes with diffusers, and assuming the natural light is steady or non-existent (indoors), then Manual flash mode, with the benefit of remote power control, is the way I have tended to go.
I've said it elsewhere recently, that the impressive metering performance and consistency that I find with the cactus X-TTL firmware using two flashes in TTL mode, may well render manual mode as obsolete, even for the static type of situations. This is because I always prefer mentally working in units of 'stops' for both flash and ambient exposures, and find that thinking in terms of 'compensations' is the most logical and consistent mental approach when juggling flash and ambient exposures and managing a dynamic situation, even when the flashes are off-camera and the subject is perfectly still.