A timeless classic: High Key.
A high-key image consists primarily of light tones, without dark shadows. A photograph or painting so composed features a diminished tonal range of primarily whites and light grays.
Wikipedia
Can't help but to quote
Rense too:
The term High Key is often misunderstood. It means that the key tones in the photo - so everything between shadows and highlights - are high, light. The result is a light photo, with only very sparse mid-tones and shadows.
References:
High-key Photography the Easy Way – in the Camera Using lighting style to create mood: High-key and low-key lighting P52-2-11 Winning entry by DanLoc78 P52-4-9 Winning entry by jheu02 P52-5-11 Winning entry by Russell
Photos for the Week #3 competition are to be taken between
Feb 24, 2020 and
Mar 1, 2020.
Rules:
1. Anyone and everyone who is interested in eligible. The goal continues to be
have fun and share comments, concepts, insights, and techniques with fellow
Pentaxians.
2. Each week will feature a Theme and Sub-concept for you to explore.
3. Post your single picture in Project 52-5 thread for the week. Explain what
motivated you to take the picture and/or how you feel it represents the weekly
theme.
4. Some post-processing is OK (adjusting white balance, exposure, color
saturation), but let's try to stay away from heavily PP'ed images here. Try to
keep the creativity to photographic techniques and the captures themselves.
5. Since this project is about technique, and not camera, shots taken by non Pentax cameras are allowed.
Cameras may be SLRs, DSLRs, Point & Shoot, Medium Format, et cetera. But no phones, please.
6. There is one “Theme Concept” labeled “black and white,” but feel free to post
black and white, sepia, monotone, etc., for any of the other themes.
7. The picture you post should be taken during the week in which the theme is
active to be eligible for judging.
8. Any picture taken from thread start date to listed closing date is acceptable